Taylor Swift 2023

The Tortured Poets Department (colloquially shortened to Tortured Poets) is the upcoming eleventh studio album by the American singer-songwriter Taylor Swift. It is set for release on April 19, 2024, via Republic Records. Swift wrote the album with producers Jack Antonoff and Aaron Dessner.Swift announced the album at the 66th Annual Grammy Awards on February 4, 2024, after winning Best Pop Vocal Album for her tenth studio album, Midnights (2022). She conceived The Tortured Poets Department shortly after finishing work on Midnights and continued developing the former during the Eras Tour (2023–2024), her ongoing sixth concert tour. With a concept fashioned after the five stages of grief, The Tortured Poets Department is Swift's self-proclaimed "lifeline" album. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone and the English indie rock band Florence and the Machine. The physical editions of the album include bonus tracks.

Lover (Live from Paris) is the fourth live album by American singer-songwriter Taylor Swift, released on February 14, 2023, via Republic Records. A Valentine's Day special release, the album is a limited-edition vinyl record that was sold via Swift's webstore exclusively. It consists of two heart-shaped LPs containing the live recordings of the eight songs from Swift's seventh studio album, Lover (2019), that she performed at City of Lover, her one-day concert at the Olympia theater, Paris, on September 9, 2019. It charted in Australia, the United Kingdom, and the United States, and topped the US Billboard Vinyl Albums chart.

Midnights isn't a retreat so much as a return, a revival of the moody electro-pop that kept Reputation roiling. Where that 2017 record carried a measure of defiance, the vibe of Midnights is contemplative even when beats are insistent, as they are on occasion. Despite these fleeting moments of urgency, the record is clearly a soundtrack to be played in the wee hours of the morning. In that sense, Midnights is a kindred spirit to Folklore and Evermore, the twin 2020 albums Swift released during the height of the COVID-19 pandemic, yet those records felt like collections of short stories where these songs – whether in their standard 13-song variation or the lengthy "3 AM Edition" which runs an additional seven tracks – all feel like confessions, even if they display the sense of exacting lyrical detail she's honed since Lover.

Billboard Hot 100 Singles Chart is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation!

This article is about the global song chart. For the album chart concerning only the United States, see Billboard 200.

This article is about the global song chart. For the album chart concerning only the United States, see Billboard 200.

Billboard Hot 100 Singles Chart is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation!

It’s no secret that one of the biggest, and pinkest, movies of the summer is Greta Gerwig’s Barbie. Starring Margot Robbie, Ryan Gosling, and a whole host of A-list actors, the movie is set to explore Barbie’s connection to the real world and how she becomes more than just a doll.

Over nine albums, The National have grown wilder in their experimentation. But the Brooklyn-by-way-of-Cincinnati band proves on First Two Pages of Frankenstein that almost no one else does Midwest desolation this well—still. It's there in the plaintive but sweetly hopeful piano line that carries "Once Upon a Poolside" and underscores Matt Berninger's troubled lines: "I can't keep talking/ I can't stop shaking/ I can't keep track of everything I'm taking." (Bonus points for bringing in fellow Midwestern native Sufjan Stevens for ethereal backing vocals.)

Over nine albums, The National have grown wilder in their experimentation. But the Brooklyn-by-way-of-Cincinnati band proves on First Two Pages of Frankenstein that almost no one else does Midwest desolation this well—still. It's there in the plaintive but sweetly hopeful piano line that carries "Once Upon a Poolside" and underscores Matt Berninger's troubled lines: "I can't keep talking/ I can't stop shaking/ I can't keep track of everything I'm taking." (Bonus points for bringing in fellow Midwestern native Sufjan Stevens for ethereal backing vocals.)