Tchaikovsky Piano Trio

This version of the Tchaikovsky measures up extremely well against its competition; moreover it is (like all chamber recordings from this source) very well balanced. Pianist Stefan Mendl is able to dominate yet become a full member of the partnership throughout. The second movement's variations open gently but soon develop the widest range of style, moving through Tchaikovsky's kaleidoscopic mood-changes like quicksilver and often with elegiac lyrical feeling.

Highly praised for his orchestral works, Tchaikovsky never reached great popularity as a chamber music composer but, although his chamber output does not comprise many titles, it does includes works of distinct value, such as the beautiful but little known Trio for violin, cello and piano, Op.50 which we are featuring on this release. The work was composed in memory of his friend Nikolaj Rubinstein, who had passed away at the age of 46 and was considered at the time one of the greatest European pianists. It was premiered in Moscow on 30 October, 1882.

The Geneva Piano Trio was founded by three international awarded musicians, established in Switzerland. Sharing Russian origin and having lived in Geneva for twenty years, they paid tribute to their welcoming city by naming their musical ensemble The Geneva Piano Trio. The recording was done in the famous music room of a Swiss town of La Chaux-de-Fonds (a UNESCO World Heritage site), holding a revolutionary Dolby Atmos technology. For this first CD, the musicians choose to celebrate their cultural roots with trios of Tchaikovsky and Rachmaninov.

Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.

Sergey Taneyev was a distinguished pianist and influential educator, succeeding Tchaikovsky as professor at the Moscow Conservatory and counting Scriabin and Rachmaninov among his students. The Piano Trio Op. 22 is a demonstration of Taneyev’s technical skill, filled with subtle use of counterpoint, lyrical expressiveness and virtuoso fireworks. Alexander Borodin was a leading member of the ‘Mighty Handful’, and his incomplete but brilliant Piano Trio was seen by Glinka as setting a precedent in the genre for its deeply Russian character.

In 1897, Rimsky-Korsakov composed the rough draft for a piano trio in C minor. He polished the middle movements to performance level, but it was left to the composer’s son-in-law, Maximilian Steinberg, to reconstruct its outer movements some 30 years after the composer’s death. While Rimsky disparaged the work in his autobiography, its wistful lyricism and operatic scope hold your attention beyond the sometimes stilted interplay between instruments. The Bekova Sisters turn in idiomatic, sensitively dovetailed work, although violinist Elvira’s oily vibrato seems excessively sweet in soft, sustained passages.