Telarc

There is no denying that Dave Brubeck's hit sides for Columbia permanently established him in the popular jazz consciousness, but that's also a limiting factor: he cut great music before and after his tenure there. The Definitive Dave Brubeck, a double-disc, 26-track collection issued just in time to celebrate the pianist's 90th birthday and to coincide with the documentary film Dave Brubeck: In His Own Sweet Time (whose executive producer is Clint Eastwood), fills in key points in the rest of the story. This compilation was assembled by Russell Gloyd, Brubeck's manager, producer, and conductor since 1976…

Slide Hampton - Dedicated To Diz (1993) {Telarc Jazz CD-83323}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 437 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1993 Telarc Jazz | CD-83323
Jazz / Bop / Swing Revival / Modern Big Band / Trombone

This was recorded during the Jazz Master’s first performances at the Village Vanguard in NYC in 1993. The critics universally acclaimed the performances and listening to the record it is easy to understand why. This band entirely catches the spirit of what Dizzy Gillespie was all about, but without any attempt to copy. Dizzy, who was one of the great innovators of the jazz world, would have appreciated this approach, he never rested on his laurels, he continued to push forward the musical frontiers the whole time.

This was André Previn's second album after his long, symphonically enforced absence from jazz, and it sounds noticeably more fluid and relaxed than his first. No longer apprehensive about dusting off his old skills, Previn is delightfully confident and breezy (dig his sly turns on "Come Rain or Come Shine" and "C Jam Blues"), taking some chances as he re-phrases and paraphrases a collection of revivified standards, mostly Harold Arlen and assorted Duke Ellington. Even if Previn, that noted wit, sometimes sounds as if he is kidding the pants off these old tunes, it's great to hear him having such a good time playing jazz again. Mundell Lowe is Previn's new guitar partner, and Ray Brown returns on bass; both are right at home in this refined brand of chamber jazz grooving.

Al di Meola's first so-called Christmas album is a relaxed, flowing, intensely musical affair that jazzers, world music buffs, and new agers will feel equally comfortable with. Mostly, he steers away from the often-cracked chestnuts, composing several nice tunes of his own ("Zima," the leadoff cut, is especially inviting), playing acoustic guitar and a battery of percussion instruments and keyboards in a graceful one-man band, thanks to multi-track tape. Other tracks feature duets between di Meola (with overdubbed additional instruments) and Roman Hrynkiv, who plays a Ukrainian zither-like instrument called the bandura.

Oscar Peterson - Live at the Blue Note… The Complete Recordings (2004) {4CD Set, Telarc CD-83617 rec 1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.27 Gb | MP3 @320 -> 666 Mb
Full Artwork @ 300 dpi (png) -> 114 Mb | 5% repair rar
© 1990, 2014 Telarc | CD-83617
Jazz / Bop / Mainstream Jazz / Piano

This four-disc set collects the previously released CDs of Peterson's legendary three-night stand in 1990 at the renowned New York City club. Featuring longtime compatriots Herb Ellis and Ray Brown, the "trio" here is actually a quartet with drummer Bobby Durham, who'd played with Peterson in the late 1960s. The collection offers prime playing and stands as a sort of summation of Peterson's longstanding work with both Brown and Ellis. It was only a few years after these performances that the pianist suffered a stroke, from which he recovered, but which altered his style, costing him the stridency of his left hand. Among the first jazz recordings for what up until then had been a classical label, the sets were captured with the warmth and clarity for which Telarc has become known.