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One of the bastions of progressive rock and an innovator in the use of keyboards in rock music, former Yes keysman Rick Wakeman is a true musical pioneer. The 2001 live album Out Of The Blue spotlights the man in all his synthesizer glory, each track an epic in itself. It is also evident that he has influenced nearly every keyboard player in the progressive rock and metal field. Performing with Wakeman at this concert, recorded at the Teatro Coliseo in Buenos Aires, are vocalist Damian Wilson (Ayreon, Threshold), drummer Tony Fernandez (The Strawbs), guitarist Ant Glynne, bassist Lee Pomeroy, and Wakeman’s son and fellow keyboardist Adam Wakeman.

It should not be all that much of a surprise to anyone familiar with Bonynge that this set would be memorable. Bonynge has worked not only with the Ambroasian Singers, but each of the soloists as well. Joan Sutherland without a doubt the strongest of the four soloists. She handles her role with ease, using the skills she has as a Bel Canto specialist to maneuver Handel's trills and flourishes. Two soloists who truly get a vocal workout are Hugette Tourangeau who sings the contralto role and bass Tom Krause. Though listeners may love the vocal fireworks Handel includes in the score, it is rather difficult terrain for the lower voices, but Tourangeau and Krause do a spectacular job. Many listeners may also realize that other basses have simplified their parts whereas Krause accepts the vocal challenges and he does more than accept, he achieves success. Werner Krenn's light tenor is suited for his parts.