Flautist, saxophonist, producer and 22a label boss Tenderlonious (aka Ed Cawthorne) is releasing a new electronic album called Hard Rain. Citing influences including Larry Heard, J Dilla and Carl Craig, its 11-tracks traverse from cosmic jazz and trip-hop to bass heavy p-funk and house-fuelled synth.
In April 2019, 22a boss and multi-instrumentalist, Tenderlonious embarked on a trip to Pakistan to work with Lahore based instrumental quartet, Jaubi. Following on from the highly acclaimed, three track limited edition 10” vinyl release of ‘Tender in Lahore’ earlier this year, 22a presents the full suite of improvised ragas from a one day recording session in Lahore, Pakistan. The pure sounds of Indian and Pakistani classical music act as a framework for deep and spiritual improvisations between Tenderlonious on flute & soprano saxophone and Jaubi band members, Kashif Ali Dhani on tabla and vocals, Zohaib Hassan Khan on sarangi and Ali Riaz Baqar on guitar. This cross cultural collaboration also features Polish composer and keys player Marek Pędziwiatr on synth drone.
Tenderlonious enters fresh album territory with his latest offering entitled, ‘You Know I Care’. Having released several solo projects, numerous collaborations and a series of LP’s, EP’s and singles with his band Ruby Rushton that centred on original compositions, he wanted to take a moment to focus his energy on exploring the classic jazz material that has inspired him over the years.
'The Shakedown' is the debut album from Tenderlonious and features a new band - the dream team of top talent he named the 22archestra, who he leads seamlessly throughout. Listeners are exposed to the full breadth of Tender's technical and compositional skills, ranging from subtly meandering jazz, to hip-hop, afrobeat, latin and exhilarating free form jazz. 'SV Disco,' a nod to the mighty Slum Village, is a chunk of sensually-contorted disco vibes that brings on full party mode instantaneously, with the slinky bass licks and pitch-bent synthesiser recalling Roy Ayres’s blissed-out funk, blended with flute flurries reminiscent of mind Max Cilla’s La Flûte des Mornes.