Tex One

This "two-fer" reissue pairs up two of Joe Tex's classic Atlantic Records albums on one CD, "Hold What You've Got" and "The New Boss". Stylistically, both albums were just a bit off the beaten path from the bulk of Tex's mid-1960's work; his sense of humor (always bubbling beneath the surface) came into the forefront on "Hold What You've Got", while "The New Boss" focused new emphasis on Tex's obvious fondness for country music. The CD helps to play up the C&W leanings of "The New Boss" with four additional bonus tracks in a decidedly twangy mode, including fine versions of "Make The World Go Away" and "Just Out Of Reach". The remastering is clear and bright, making the most of Buddy Killen's fine production, and while these two albums each have a decidedly different mood, they compliment each other well, and this is a fine presentation of material from Tex's first era of hits; well worth a spin.

You might well wonder why TFPC in Practice is a part of the Monographs in Visualization series. However, if you really think about typesetting, especially fine typesetting, you soon realize that in large part it is a visual art as well as a science. 'lEX's algorithms produce in almost all cases aesthetic results of the highest quality. On the other hand, occasionally one may want to insert some additional space before a subscript or superscript, or one may want to adjust the vertical spacing in a fraction. Fortunately Donald Knuth, the author of 'lEX, allows one to program such corrections easily where needed. The four volumes of Stephan von Bechtolsheim's long awaited TFPC in Prac­ tice present a comprehensive view of 'lEX. His thorough discussion of each aspect of 'lEX is liberally laced with cogent illustrative examples. Many of these exam­ ples represent complete, ready to use macros that enhance the capabilities of 'lEX. These examples are of particular interest to both the typesetter and the 'lEX programmer. The typesetter can often solve an immediate problem by ei­ ther using one of the examples directly or by making minor changes to adapt it to the problem at hand. The 'lEX programmer can use the examples, along with Stephan's detailed discussion, to increase both the depth and breadth of his or her knowledge of 'lEX. The value of the text is further enhanced by Stephan's concerted effort to explain the reasoning behind each topic or example.

One of the most inventive soul singers of the '60s! Here are 25 of his best, featuring 11 Top 10 R&B hits, including I Want to (Do Everything for You); I Gotcha; A Sweet Woman Like You; The Love You Save (May Be Your Own); Skinny Legs and All; Hold What You've Got; Men Are Gettin' Scarce; Buying a Book, and more.

Welcome back for another three-ring circus of animated comedy from the legendary leader of cartoon fun – director Tex Avery. In the first ring, Avery serves up some of his finest one-shot creations: cartoons featuring cats who hate people, wacky cuckoo clocks, kooky cavemen and lovelorn French fleas. We also meet up again with Avery's attractive Red Riding Hood, a pair of amorous wolves and his durable all-around fall guy, Spike. The second ring is a showcase for Avery's ironically deadpan "Happy Hound": Droopy. This time, Droopy appears in a number of guises – each one funnier than the last. As bandleader "John Pettybone," he leads his jazz-playing fleas to the heights of canine stardom. Out West, as a homesteader and a sheepherder, he has his final showdowns with the Wolf. The third ring offers a whimsical glimpse into the future – or at least a future from the POV of the mid-20th century – with a plethora of zany postwar inventions. While none of the cartoons "of tomorrow" foresaw smartphones or Blu-ray players, these far-fetched contraptions, gadgets, houses and farms, televisions, and various modes of transportation could only come from the madcap mind of Avery and his MGM crew. Uncut, restored and remastered in High Definition for the first time, Tex Avery Screwball Classics Collection Volume 2 is another must-own collection from the master of hand-drawn mayhem.

Welcome back for another three-ring circus of animated comedy from the legendary leader of cartoon fun – director Tex Avery. In the first ring, Avery serves up some of his finest one-shot creations: cartoons featuring cats who hate people, wacky cuckoo clocks, kooky cavemen and lovelorn French fleas. We also meet up again with Avery's attractive Red Riding Hood, a pair of amorous wolves and his durable all-around fall guy, Spike. The second ring is a showcase for Avery's ironically deadpan "Happy Hound": Droopy. This time, Droopy appears in a number of guises – each one funnier than the last. As bandleader "John Pettybone," he leads his jazz-playing fleas to the heights of canine stardom. Out West, as a homesteader and a sheepherder, he has his final showdowns with the Wolf. The third ring offers a whimsical glimpse into the future – or at least a future from the POV of the mid-20th century – with a plethora of zany postwar inventions. While none of the cartoons "of tomorrow" foresaw smartphones or Blu-ray players, these far-fetched contraptions, gadgets, houses and farms, televisions, and various modes of transportation could only come from the madcap mind of Avery and his MGM crew. Uncut, restored and remastered in High Definition for the first time, Tex Avery Screwball Classics Collection Volume 2 is another must-own collection from the master of hand-drawn mayhem.

Welcome back for another three-ring circus of animated comedy from the legendary leader of cartoon fun – director Tex Avery. In the first ring, Avery serves up some of his finest one-shot creations: cartoons featuring cats who hate people, wacky cuckoo clocks, kooky cavemen and lovelorn French fleas. We also meet up again with Avery's attractive Red Riding Hood, a pair of amorous wolves and his durable all-around fall guy, Spike. The second ring is a showcase for Avery's ironically deadpan "Happy Hound": Droopy. This time, Droopy appears in a number of guises – each one funnier than the last. As bandleader "John Pettybone," he leads his jazz-playing fleas to the heights of canine stardom. Out West, as a homesteader and a sheepherder, he has his final showdowns with the Wolf. The third ring offers a whimsical glimpse into the future – or at least a future from the POV of the mid-20th century – with a plethora of zany postwar inventions. While none of the cartoons "of tomorrow" foresaw smartphones or Blu-ray players, these far-fetched contraptions, gadgets, houses and farms, televisions, and various modes of transportation could only come from the madcap mind of Avery and his MGM crew. Uncut, restored and remastered in High Definition for the first time, Tex Avery Screwball Classics Collection Volume 2 is another must-own collection from the master of hand-drawn mayhem.

All of Avery's star characters are featured here: Droopy, as a Mountie, a bullfighter and a Western deputy; Spike, as a hibernating bear's weary watchdog; Red, as both Cinderella and a frontier cowgirl; and Screwball Squirrel, as - what else? - an escapee of a lunatic asylum.

This two-fer combines two Joe Tex albums from 1968, Live and Lively and Soul Country, onto one CD with the addition of three bonus tracks from 1967-1968 singles. Neither album is excellent, but each contains some excellent material, as well as some good-to-mediocre stuff. Live and Lively is the better of the pair, although its execution is a little misbegotten, jumbling studio tracks with, well, studio tracks, except ones that have some canned applause and crowd noise dubbed onto them.