Digitally re-mastered edition of the 1981 sophomore album from the British Post-Punk outfit. Produced by Hugh Jones, the album is more richly layered than their debut, fusing the band's atmospheric, affecting sound with a set of accessible yet invigorating songs. At the time, from the Lions Mouth gained great marks from the British music press, but did not break the band beyond it's devoted cult of fans. Now it is considered a post-punk classic.
Dev Hynes had announced a July 1st release for Freetown Sound, his latest album as Blood Orange. However, today he surprised fans by making the Domino Records release available a few days in advance.
The much-anticipated Freetown Sound follows 2013’s Cupid Deluxe. The album’s 17 tracks were written and produced by Hynes himself and boast guest appearances from the likes of Carly Rae Jepsen, FKA twigs, Empress Of, Debbie Harry, and De La Soul, among others.
A popular Peruvian rock group in the late 1960s and early 1970s, Traffic Sound had a very British-influenced early progressive rock sound along the lines of Traffic and (more distantly) Jethro Tull. These similarities were evident in the band's use of flute and saxes, all played by Jean Pierre Magnet, who could also play vibes and percussion. What is surprising is that Traffic Sound, unlike other South American groups of the period that only came to light in the Northern Hemisphere in the 1990s, do not sound exotic or primitive. They simply sound like an accomplished minor-league 1970 rock band with considerable progressive, psychedelic, and soul influences informing their original material.