Filmed on June 26th this year as The Who celebrated their fiftieth anniversary, this stunning show from London's famous Hyde Park is a triumphant return to their home city. On a glorious summer evening the band delivered a brilliant performance of all their greatest hits in front of a 50,000 strong crowd…
Filmed at The Summit in Houston, Texas on November 20th 1975, this film captures a typically incendiary live performance by The Who at the start of the US leg of their tour in support of The Who By Numbers album which had been released earlier that year…
Who - The Essential Music of the Who: The Moon Years movie was released Apr 11, 2006 by the Music Video Distributors studio. This is the independent critical guide to the music of the Who in the crucial years when the legendary Keith Moon was in the band. Who - The Essential Music of the Who: The Moon Years movie This was the classic Who line up of Daltrey, Townshend, Moon and Entwistle which produced a stunning array of all-time legendary music ranging from the first hit singles to the superb rock classics from the seventies.
Who's Better, Who's Best is a compilation of the Who's best-known songs, containing all of the familiar items – "I Can't Explain," "I Can See for Miles," "Pinball Wizard," "My Generation," "Substitute" – but presented without much care…
This rock documentary includes the complete concert performance of The Who at the third and final Isle of Wight music festival. Playing to 600,000 ravenous fans on August 30, 1970, Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon outdid themselves with a towering set. They even went so far as to play the rock opera TOMMY in its entirety, giving audiences yet another reason to shout…
Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch…
Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut…