The Book

The Book of Knots' self-titled metal opus is a concept album about the sea. But don't expect any prog rock opera cheese. Book of Knots is a noisy, bludgeoning rock record, full of feedback, improvisation and bitter currents – like Mike Watt's Contemplating the Engine Room played by Queens of the Stone Age. The tumultuous record ranges from the oddly Björk-ish "Tugboat" to the psych, hesher rock of "Crumble" and Jon Langford's downright catchy piece of slithering melancholia "Back on Dry Land"." It's a demented and expansive narrative that takes at least multiple listens to make sense of, but the cinematic scope is apparent from the beginning. While Book of Knots is a bit too difficult for everyone, those who enjoy digging deeper into the layers of an epic rock album will be more than satisfied.

The Book Of Knots has had the pleasure of collaborating with some of the worlds most talented musicians, including Tom Waits, Mike Patton, David Thomas, Blixa Bargeld, Jon Langford, and Carla Bozulich. Founding members Matthias Bossi (Skeleton Key, Sleepytime Gorilla Museum), Joel Hamilton (producer/engineer for BlakRoc, Pretty Lights), Carla Kihlstedt (Tin Hat Trio, Sleepytime Gorilla Museum) and Tony Maimone (Pere Ubu, Frank Black, Bob Mould) forge a sound both epic and intimate, empowering and devastating. Cinematic, symphonic landscapes give way to crumbling acoustic chamber ballads. Broken guitars and beautifully warped orchestras describe the ungraceful demise of boats, blast furnaces and bloated industries. Accounts of the failed adventures of tragic would-be heroes are given voice in the band's two previous critically-acclaimed releases. Their newest album serves as the final chapter in the bands "By Sea, By Land, By Air" trilogy.

This NY-based studio collective consists of Matthias Bossi (Skeleton Key, Sleepytime Gorilla Museum), Joel Hamilton (Sparklehorse, Elvis Costello), Tony Maimone (Pere Ubu, Frank Black, They Might Be Giants), and Carla Kihlstedt (Tom Waits, Sleepytime Gorilla Museum). With guests Carla Bozulich, Megan Reilly, Jon Langford, David Thomas, Mike Watt, and Tom Waits, their debut bills itself as "a tribute to the American Rust Belt". They paint a haunting modern-day portrait of cities like Cleveland, Youngstown, Toledo, and Detroit; places that once were the definition of American motivation, progress, and industry, but now are home to ruined monuments of a bygone era. The sonic landscape is painted with scraping, swirling guitars, soaring string arrangements, rupturing bass, and plate-shattering drums.

Six decades of music, sixty-five years of song, generations tied together through the force of will of a matriarchy of powerful women. This is the story of African-American gospel quintet The Legendary Ingramettes, founded by Maggie Ingram and taken up by her daughter Almeta Ingram-Miller as a way to continue Maggie's legacy after Maggie's passing in 2015. Inspired by the black gospel male quartets of the 1940s and 50s, The Legendary Ingramettes bring roof raising harmonies and explosively powerful vocals, all driven by the voices of women.