The C Block

The circumstances surrounding the recording of this album are as important as the music you will hear and enjoy. Inspired by the songbook of Count Basie, tenor saxophonist Stanley Turrentine and his wife of four years, organist Shirley Scott, planned on recording with a septet, and went into the studio with that band on October 12, 1963, but those sessions were scrapped. On October 14, two tracks were finished and included here, but October 21 saw the band pared down to a quintet, and the results were acceptable. Trumpeter Blue Mitchell's contributions were quite desirable, he was the second lead voice in the ensemble, and success was attained. Turrentine and Mitchell played together in the 1954 edition of the Earl Bostic ensemble, and happily renew their musical friendship…

Bluesman who styled himself King of the Jungle, enjoying success both on Chicago's West Side and throughout Europe.
Happily, Eddie C. Campbell returned to Chicago after spending a decade entrenched in Europe. His shimmering West Side-styled guitar playing and unusually introspective songwriting have been a breath of fresh air on the Windy City circuit, reuniting the veteran bluesman with fans he left behind in 1984.
Campbell left rural Mississippi for the bright lights of Chicago at age ten, sneaking a peek at Muddy Waters at the 1125 Club soon after he arrived and jamming with his idol when he was only 12…

Synthetic Block (1998). Jonathan Block records as Synthetic Block. Synthetic Block is also the title of his debut release. He combines sequences and atmospheres to create little pockets of energy. It is all very tidy and systematic. Block sets his compositions with right angles and exact circles. He puts square pegs in square holes and round pegs in round holes. The scientific approach, while it seems harsh, works well for Block. The atmospheres are gentle and warm. The soundscapes are friendly and inviting. This is a very nice debut. It will appeal to fans of Ron Boots, Dave Fulton, and Paul Ellis…

The Coasters were the 1950s' (and early rock's) dominant novelty/comic R&B ensemble, benefiting from Jerry Leiber and Mike Stoller's lyrical wit and inspired production. They weren't simply proficient clowns; the Coasters were a skilled vocal unit whose talents were utilized on slice-of-life narratives, prophetic youth manifestos, and even an occasional teen anthem, as well as the prototype humorous vehicles "Yakety Yak" and "Poison Ivy." Although Rhino has already given them the deluxe two-disc treatment, consumers who either don't want that much Coasters material or prefer only the hits are nicely served by this 16-track anthology. It contains every major release, plus valuable lesser-known selections such as "Shoppin' for Clothes" and "What About Us."

As its title implies, this is a spiritually based collaboration from three distinct – even disparate – yet surprisingly harmonious voices. Mostly, but not entirely acoustic, the trio of rootsy singers trade lead vocals on smooth jazz/blues ("Bessie's Dream"), folk-blues ("Good Stuff"), Delta blues ("Rolling Log"), gospel (an a cappella version of Sister Rosetta Tharpe's "Rock Daniel"), and combinations of those genres. On paper it sounds scattershot, but in actuality this is a thoughtfully paced combination of styles, united by three affecting voices. Eric Bibb's smoother Keb' Mo' approach meshes surprisingly well with Rory Block's more penetrating Delta croon and Maria Muldaur's sassy, sexy, throaty growl.

This is a straightforward bundle – a digital download release – of Chic's eight studio albums for the Atlantic label. Chic (1977), C'est Chic (1978), Risqué (1979), Real People (1980), Take It Off (1981), Tongue in Chic (1982), Believer (1983), and Chic-Ism (1992) are combined in one set, sold at a price significantly less than the sum of the individual tracks. There are no bonus tracks – just the albums straight up, as they were originally released.

Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971 is a compilation album and box set recorded by the American rock band the Beach Boys and released by Capitol/UME on August 27, 2021. It is largely dedicated to material that the group recorded during the making of the albums Sunflower (1970) and Surf's Up (1971). Produced by Mark Linett and Alan Boyd, it is the band's first major archival release since Wake the World and I Can Hear Music in 2018, and the first issued on physical media since Sunshine Tomorrow in 2017. The title is taken from the Surf's Up track "Feel Flows". The compilation was released in four different formats: a five-CD box set, a two-CD set, a double vinyl set, and a quadruple vinyl set.

This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!

In a career spanning over seven decades, Quincy Jones has earned his reputation as a renaissance man of American music. Since entering the industry as an arranger in the early 1950s, he has distinguished himself as a bandleader, solo artist, sideman, songwriter, producer, film composer, and record label executive. A quick look at a few of the artists he's worked with - Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin - reveals the remarkable diversity of his career. He has been nominated for a record 80 Grammy awards, and has won 27 in categories including Best Instrumental Jazz Performance for "Walking in Space" (1969), Producer of the Year (1981), and Album of the Year for Jackson's Thriller (1983) and his own Back on the Block (1990)…