Dutch band Mr. Albert Show, apparently named after a roadie, was formed in 1969 by Bertus Borgers (saxophone, flute, vocals), Roeland Boogaart (drums), Tom Fautubun (bass), Eric Lintermans (guitars) and Bonki Bongaerts (organ). Strengthened by the vocal talents of Floortje Klomp they make their debut with the single "Wild Sensation" in 1970, followed by their full length debut album "Mr. Albert Show" later the same year. The following their sophomore effort "Warm Motor" appeared, while the non-album single "Show Me Your Tongue" was released in support of it. This would prove to be the final release by this short-lived band, who disbanded in 1973 following the departure of Bertus Borgers.
Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…
Albert Hammond is one of the more successful pop/rock songwriters to come out of England during the 1960s and 1970s, and has also enjoyed a long career as a recording artist, his work popular in two languages on three continents across four decades. Hammond was born in London in 1944 – his family actually came from the British colony on Gibraltar, but wartime considerations caused his mother to be evacuated to London, where she gave birth. He spent his childhood and youth on Gibraltar, where he became fluent in both English and Spanish – that bilingual ability would serve him well in his later career. His family lived modestly on his father's fireman's pay, and one of his early diversions was music – he sang in church and became head choir boy. He also became interested in popular music, sang for his own enjoyment, and also took up the guitar.
Daughter of Time is the fourth album by Colosseum, released in 1970. The album remained for five weeks in the UK Albums Chart peaking number 23. Recorded in the midst of an upheaval in the band's lineup, only one of its eight tracks, "Three Score and Ten, Amen", features all six of the official band members. Mike DeGagne gave the album a rave retrospective review in Allmusic, chiefly praising the wide variety of instruments used, but also acknowledging the melancholy tones and sense of drama. His only criticism was that the songs are too short, "all around six minutes in length" (in fact, only three of the songs are around six minutes in length, and half of them are much shorter).