The Album 2001

Brilliant German undergound band, famous for their eponymous LP from 1971 on Bacillus. This CD has 4 long never before released tracks from a 1971 broadcast session in the same vein as their self-titled debut album. Great underground rock with heavy guitar riffs and spherical organ sound. As bonus comes a complete 2001 album by bandleader and guitar player Bernhard Rendel with a scope reaching from space rock to psychedelic sounds. Includes a 12 page booklet.

This soundtrack album to the acclaimed BBC television series Blue Planet – Seas of Life is by George Fenton. Isolated from their accompanying videos, soundtrack albums often just don't hold up. Even if you haven't seen this television program, however, that is not the case with the Blue Planet CD. Indeed, the music here works quite well as a "sit down and listen" album. It also seems that the neo-classical arrangements surely capture the mystery, majesty, beauty, playfulness, power, and even terror of the ocean world very well. You may be reaching for a towel after listening to this one.

After the seven-year gap between 1990's Jordan: The Comeback and 1997's Andromeda Heights, many Prefab Sprout fans were surprised by the comparatively brief four years between that album and 2001's The Gunman and Other Stories. The album holds other surprises for the longtime Prefab Sprout fan; for one thing, backing vocalist Wendy Smith is absent, having left the group after the birth of her first child, and for another, it's a Western-themed concept album.

After the seven-year gap between 1990's Jordan: The Comeback and 1997's Andromeda Heights, many Prefab Sprout fans were surprised by the comparatively brief four years between that album and 2001's The Gunman and Other Stories. The album holds other surprises for the longtime Prefab Sprout fan; for one thing, backing vocalist Wendy Smith is absent, having left the group after the birth of her first child, and for another, it's a Western-themed concept album.

Guitarist/vocalist Paul Weller broke up the Jam, the most popular British band of the early '80s, at the height of their success in 1982 because he was dissatisfied with their musical direction. Weller wanted to incorporate more elements of soul, R&B, and jazz into his songwriting, which is something he felt his punk-oriented bandmates were incapable of performing. In order to pursue this musical direction, he teamed up in 1983 with keyboardist Mick Talbot, a former member of the mod revival band the Merton Parkas…

John Paul Jones - Zooma (1999) + The Thunderthief (2001) {Discipline Global Mobile}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 647 Mb | MP3 @320 -> 224 Mb
Full Artwork @ 600 dpi (jpg) -> 131 Mb | 5% repair rar
© 1999, 2001 Discipline Global Mobile / JPJ | DGM9909 / DGM0104
Rock / Hard Rock / Instrumental / Alternative

John Paul Jones stayed quiet for years after the disbandment of Led Zeppelin, performing the occasional arranging, soundtrack, or production gig, or collaborating with such avant garde musicians as Diamanda Galas. Throughout it all, he never released a full-fledged solo album – until the fall of 1999, when he unleashed Zooma. Anyone that was following who Jones worked with in the '90s – including Galas, the Butthole Surfers, and R.E.M. – shouldn't be entirely surprised by the depth, range, and gleeful strangeness on Zooma, but those expecting something like Led Zeppelin IV will be disappointed.

Trio Fascination: Edition One (1998). Whether embracing Gunther Schuller's arrangements or paying tribute to Frank Sinatra, Joe Lovano was as consistent as he was unpredictable in the 1990s. Most of his Blue Note output was excellent, and Trio Fascination, Edition One is no exception. This impressive inside/outside date finds Lovano forming a pianoless trio with bassist Dave Holland and drummer Elvin Jones, and the three are very much in sync on originals that range from the dusky "Sanctuary Park" and the haunting "Studio Rivbea" to the very angular "New York Fascination" and the difficult "Cymbalism." Meanwhile, "Impressionistic" is an eerie number with Middle Eastern overtones. The only song on the CD that isn't an original is a very personal interpretation of the standard "(I Don't Stand A) Ghost of a Chance"…