After a year of personal and personnel problems, the Allman Brothers Band got back together to record the surprisingly consistent live-in-the-studio venture Where It All Begins. It lacks the ambition and stretch of Seven Turns or Shades of Two Worlds, along with their peaks, but it is still a solidly consistent album, driven by some of the virtues of live spontaneity…
The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.
Though it appears in the aftermath of their dissolution in 2014, and the deaths of both actual Allman brothers, Duane and Gregg, this 50th anniversary retrospective box set is arguably the only career overview of the band one can call representative. Arranged over ten LPs or five compact discs, Trouble No More examines in depth each incarnation and stage of the pioneering rockers. It convincingly formulates the argument that no other American band accomplished more musically (especially live) by seamlessly marrying rock, blues, jazz, and R&B to each other and to extended improvisation. This set compiles 61 Allman Brothers Band classics, live performances, and rarities – including seven previously unreleased tracks – all painstakingly remastered, with and a hefty 88-page book full of photos and a lengthy historical essay by ABB historian John Lynskey that recaps all 13 incarnations of the band's lineup.
The ‘Mycology’ is a well-selected overview of The Allman Brothers Band’s surprisingly sturdy tenure with Epic Records, which included guitarist/vocalist Warren Haynes and bassist Allan Woody, came as close as possible to recreating this group’s original, glorious, creative beginnings. The country-flavored “Seven Turns” is among the finest Bett´s compositions, “End Of The line” is a slow and menacing stab of southern blues rock. “Back Where It All Begins” is their latter day southern anthem and the two bonus are simply breathtaking, Betts and Warren Haynes playing acoustic slide guitars in a reading of “Midnight Rider” and an obscure performance of “Every Hungry Woman” featuring their classic line-up.
Mycology: An Anthology collects highlights from the Allman Brothers' '90s work for Epic Records. Although these latter-day recordings didn't quite reach the heights of the group's '70s heyday, they were surprisingly strong and Mycology is the best way for the curious fan to discover that. By rounding up the best moments from Seven Turns, Shades of Two Worlds, An Evening with the Allman Brothers Band and Where It All Begins, the collection offers a good distillation of an underrated portion of the group's career, thereby making it of equal interest to casual and hardcore fans alike.
The Allman Brothers Band formed in 1969 with founding members Duane Allman, Jaimoe, Berry Oakley, Dickey Betts, Butch Trucks, and Gregg Allman. The band’s very first informal jam together was a Muddy Waters song Trouble No More which shortly after became the very first song they officially demo’d together, has remained unreleased until now and starts off this 50th anniversary collection.
Recorded Live in Homedale New Jersey August 16 1994. The story of the Allman Brothers Band is one of triumph, tragedy, redemption, dissolution, and more redemption. During the early '70s, they were arguably the most influential rock group in America, thanks in no small part to At Fillmore East (a high-water mark for concert albums), that redefined the scope of rock's musical boundaries. Duane Allman and Dickey Betts pioneered the twin-lead guitar sound so prevalent during the decade that continued well into the 21st century.