On July 26, 1953, Charlie Parker performed at the Open Door, a club near Washington Square in New York's Greenwich Village, with trumpeter Benny Harris, pianists Bud Powell and Al Haig, bassist Charles Mingus, and drummer Art Taylor. This was exactly when Jack Kerouac was hanging out at the Open Door, absorbing the sights and sounds and taking notes that would soon form the basis for his novel The Subterraneans. It is possible and even likely that Kerouac was in the audience while these recordings were being made. The aural ambience is literally shaped by the room, the cigarette smoke, the crowd, the intoxicants, and the primitive tape-recording apparatus used to capture these precious moments near the end of Charlie Parker's brief life.
A chronological history of jazz vocal presented by André Francis and Jean Schwarz. 10 CDs with more than 12 hours of music.
The resulting 2 boxed sets of 10 CDs in each, unlike any other available today, groups together the main vocalists in the story of jazz from the first half of the 20th century. Each of these 20 CDs offers in more or less the same proportion, the purest of African-American song with gospel and blues singers, from truculent Ma Rainey to majestic Bessie Smith, sophisticated Sarah Vaughan to popular Louis Prima, the folk-related tones of Charlie Patton to the honeyed voice of Frank Sinatra.
The resulting 2 box set, unlike any other available today, groups together the main vocalists in the story of jazz from the first half of the 20th century. Each of these 20 CDs offers in more or less the same proportion, the purest of African-American song with gospel and blues singers, from truculent Ma Rainey to majestic Bessie Smith, sophisticated Sarah Vaughan to popular Louis Prima, the folk-related tones of Charlie Patton to the honeyed voice of Frank Sinatra.