Theoretically, even though the Band had given up touring as of Thanksgiving 1976, they were going to keep making records, and Islands was the first album released in the new era. Only it wasn't; it was the album they scraped together to complete their ten-LP contract with Capitol Records and the last new full-length album the original five members ever made…
Islands is the seventh studio album by the Canadian-American rock group the Band. Released in 1977 to mixed reviews, it is the final studio album from the group's original lineup. Primarily composed of previously unreleased songs from the Band's career (including their 1976 cover of "Georgia on My Mind", which was recorded to aid Jimmy Carter in his presidential bid), Islands was released to fulfill the group's contract with Capitol Records, so that the soundtrack to their film The Last Waltz could be released on Warner Bros. Records. In the CD liner notes, Robbie Robertson compares the album to the Who's Odds & Sods.
For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. Although the Band retired from touring after The Last Waltz and disbanded several years later, their legacy thrived for decades, perpetuated by the bandmates' respective solo careers as well as the enduring strength of the Band's catalog.
The Band was a Canadian-American roots rock group including Rick Danko (bass guitar, vocals, fiddle), Garth Hudson (keyboards, accordion, saxophone), Richard Manuel (keyboards, drums, vocals), Robbie Robertson (guitar, vocals), and Levon Helm (drums, vocals, mandolin, guitar). Their time backing Bob Dylan was when they first reached prominence (as well as providing The Band their name), but they were originally formed as The Hawks, a backing band for rockabilly singer Ronnie Hawkins…
One of the great entries in Duke Ellington's "exotic" albums of the 60s - records that aren't exactly exotica by any stretch of the imagination, but which have musical themes that were inspired by the international travels of the Ellington band at the time! In this case, the locale is the Virgin Islands - where Ellington performed in 1965, and returned home to record this set as a memory of tunes played by the band in St Croix and St Thomas. The core of the set is the initial Virgin Islands suite - made up of four new tunes that include "Island Virgin", "Virgin Jungle", "Fiddler On The Diddle", and "Jungle Kitty" - all nicely rhythmic numbers that explore some fresh themes with especially nice horn solos from the members of the group. Other tracks are older numbers performed on the tour, given a bit of a new twist here.
One of the great entries in Duke Ellington's "exotic" albums of the 60s - records that aren't exactly exotica by any stretch of the imagination, but which have musical themes that were inspired by the international travels of the Ellington band at the time! In this case, the locale is the Virgin Islands - where Ellington performed in 1965, and returned home to record this set as a memory of tunes played by the band in St Croix and St Thomas. The core of the set is the initial Virgin Islands suite - made up of four new tunes that include "Island Virgin", "Virgin Jungle", "Fiddler On The Diddle", and "Jungle Kitty" - all nicely rhythmic numbers that explore some fresh themes with especially nice horn solos from the members of the group. Other tracks are older numbers performed on the tour, given a bit of a new twist here.