The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs…
It is unusual when two iconic musical influences have a deep-rooted history. Bob Dylan revolutionized the folk industry in the early sixties. Around the same time, a group consisting of four Canadians and one U.S. Southerner were cutting their rock and roll teeth as the back-up band to Ronnie Hawkins. An epiphany for rock and roll occurred at the 1965 Newport Folk Festival when Dylan went electric and outraged the folk community. A subsequent tour supported by The Hawks (later renamed The Band) became a watershed moment for modern music.
Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music From Big Pink and The Band, employing the same dense arrangements, with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…
The Band’s pioneering, self-titled album of 1969 is to be released by Capitol/UMe on 15 November in a suite of newly remixed and expanded editions to mark its 50th anniversary.