The Band

On Thanksgiving Day 1976, The Band took the stage for the very last time at the Winterland Theatre in San Francisco. The concert, aptly billed as The Last Waltz, has become one of the most revered performances of all time…

The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance", and the concert saw The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young…

orway's COME TASTE THE BAND (CTTB for sake of ease) is of course named after that legendary DEEP PURPLE album of the same name. Makes sense, seeing as they were originally a DP tribute band. From the beginning of "Not That Kind of Man" it is obvious where their main influence lays. The transitions, solos, song cord progression are so Purple MIII it fooled my nephew. Not to say it's bad, quite the opposite; it's actually well written and performed, just not ground breaking or terribly original…

In celebration of the 50th Anniversary of The Band’s landmark debut album, Music From Big Pink is released in a limited edition of two pink vinyl LPs that feature a new stereo mix of the album, produced by Bob Clearmountain from the original four-track analog master…

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically…

The 11 performances that make up this collection were culled from The Band's Rock Of Ages (The Band In Concert) double-LP concert album, released in 1972.

Jericho was a surprise. The reunited Band, minus guitarist Robbie Robertson, created an album that built on their strengths by using carefully selected contemporary songwriters and covers. Although it lacked the resonance of Music From Big Pink or even Stage Fright, the group sounded fresh and it was a better album than most of the Band's solo records. High on the Hog, the second album by the reunited Band, isn't quite as good but it has a number of stellar moments. The key to the album's success isn't the material – they're saddled with a couple of weak songs – but the group's interplay. By now, the musicians have developed a sympathetic interaction that sounds ancient but still living, breathing and vital. It's a joy to hear them play and that's what carries High on the Hog over its rough spots.

For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. Although the Band retired from touring after The Last Waltz and disbanded several years later, their legacy thrived for decades, perpetuated by the bandmates' respective solo careers as well as the enduring strength of the Band's catalog…