The Beatles Usb

The Art of McCartney is a new celebration of the music of the ex-Beatle performed by an ‘A-list’ selection of artists, musicians and singers. These include Bob Dylan, Billy Joel, The Cure, Roger Daltrey, Brian Wilson, Alice Cooper, Dr. John, Yusuf (Cat Stevens), Barry Gibb, Jamie Cullum, KISS, Chrissie Hynde and many more…

Aftermath, first released on 15 April 1966, by Decca Records and ABKCO Records as the fourth British studio album by The Rolling Stones. It would be released on 20 June 1966, by London Records and ABKCO in the United States as their sixth American album. The album proved to be a major artistic breakthrough for The Rolling Stones, being the first full-length release by the band to consist exclusively of Mick Jagger/Keith Richards compositions. Aftermath was also the first Rolling Stones album to be recorded entirely in the United States, at the legendary RCA Studios in Hollywood, California at 6363 Sunset Boulevard, and the first album the band released in stereo.

This Record Should Be Play Loud!!!

For a Beatle, Ringo Starr has had a relatively quiet latter-day solo career. After salvaging his tattered reputation in 1992 with Time Takes Time – his first album in nearly a decade and his first in nearly 20 years to serve his legend well – Starr settled into touring regularly with his ever-changing All-Starr Band, documenting almost every tour with a live album, then turning out a new studio album every three or four years…

Their Satanic Majesties Request is the sixth studio album by The Rolling Stones and was released on 8 December 1967 by Decca Records/ABKCO Records in the United Kingdom and the following day in the United States by London Records/ABKCO. Its title is a play on the "Her Britannic Majesty requests and requires…" text that appears inside a British passport.

Richie Unterberger of Allmusic wrote:

Without a doubt, no Rolling Stones album — and, indeed, very few rock albums from any era — split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.