A great mix of Zouk, Afro-Funk and Boogie from the Ivory Coast, 1983. Cool synths, electric guitar, Afro-Caribbean rhythms…
More Best of the Best: David Manley Jazz Recordings brings listeners a sampler that highlights 8 Jazz Standards from a series of Jazz albums recorded by audio designer and recording engineer David Manley…
If there's a blues harmonica player alive today who doesn't have a copy of this landmark album in their collection, they're either lying or had their copy of it stolen by another harmonica player. This 12-song collection is the one that every harmonica player across the board cut their teeth on…
Matia Bazar is an Italian pop band formed in Genoa in 1975. The original members of the group were Piero Cassano (keyboards), Aldo Stellita (bass), Carlo Marrale (guitar, vocals), Giancarlo Golzi (drums) and Antonella Ruggiero (vocals). They represented Italy in the 1979 Eurovision Song Contest with a song called Raggio di luna.
In honor of Philip Glass' 70th birthday, Sony has devoted two CDs to 18 short works and movements of larger works, from recordings in its archive. The set provides a useful introduction to the composer's work from a relatively brief span in his long career, from 1976 to 1988. It was an exceptionally productive period for Glass; works written during that period include his three large-scale portrait operas – Einstein on the Beach, Satyagraha, and Akhnaten – all represented here, as well as two very popular albums of short pieces: Glassworks and Songs From Liquid Days.
One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.
Consider The Best of Everything a companion piece to An American Treasure, the first posthumous Tom Petty compilation. Weighing in at four CDs, An American Treasure was designed as a gift to the devoted who were still in mourning. In contrast, The Best of Everything is aimed at the fan who didn't dig quite so deep, or perhaps to listeners who always liked Petty but never bothered to purchase an album. The Best of Everything relies on the hits that were largely absent on the box set but it takes a similar non-chronological approach to sequencing, a move that emphasizes Petty's consistency as both a songwriter and recording artist. This distinguishes The Best of Everything from 2000's Anthology: Through the Years, which also spanned two discs and contained four fewer songs than this 2019 set. Apart from that notable aesthetic choice, there is a considerable amount of overlap between the two double-disc collections – namely, all the hits Petty had with and without the Heartbreakers between 1976 and 1993, when he switched from his longtime home of MCA to Warner.