The Best of Classic Rock

The Eagles are an American rock band formed in Los Angeles in 1971 by Glenn Frey, Don Henley, Bernie Leadon, and Randy Meisner. With five number-one singles, six Grammy Awards, five American Music Awards, and six number one albums, the Eagles were one of the most successful musical acts of the 1970s…

Procol Harum is a band that is (these days anyway) rather obscure, but has had a definite influence on rock music, in general, and progressive rock, in particular. "Best Of" albums seldom are that, and whether or not this one is certainly falls under the area of debate. However, the album is a good introduction to the many sides of this complex and intriguing band. For those who only know of the group's two hits, "Whiter Shade of Pale" and "Conquistador," the disc provides both of them. However, for the more knowledgeable fans, it has a purpose, too. Fans of progressive rock will certainly find a lot of the material here of interest. Besides the aforementioned "Whiter Shade of Pale," which some consider the first progressive rock song, there are other showings of early prog here. "A Salty Dog" is certainly one of these. The song "Simple Sister" is both a solid rocker and, seemingly, a big influence on Chicago's "25 or 6 to 4." "Shine On Brightly" showcases the group's psychedelic tendencies and Beatles influences.

Best-selling 80s hard rock band Great White present this unique collection of career highlights! Includes the hit singles Once Bitten, Twice Shy, Rock Me, Save Your Love and many more!…

In the early '70s, Paul Kossoff was a much-heralded young guitarist from a much-heralded young rock band called Free. In a short period of time, Kossoff and his cohorts punched out some classic rock. A brief solo career followed for the inspired axeman, but his untimely death in 1976 from a drug-related heart attack put an end to the potential that his peers and fans were looking forward to seeing fully realized. All one can do is celebrate and enjoy what this stylistically unique and utterly precocious musician left behind, and this 17-track disc, which culls Kossoff's best work from both his days with Free and as a solo performer, is an excellent way to do just that. A player who made his name with unusual phrasings, brazen fills, and an intuitive use of sustained notes – and rarely going for fretboard-smoking speed – Kossoff had a prototypical signature sound. His ability to do the work of two guitarists – Free, for the most part, was a barebones guitar/bass/drums/singer outfit – was one of his greatest strengths and, despite a good deal of studio dubbing, you can hear it in places on this album. The best cuts are definitely the eight Free tracks, which include the raunchy "The Hunter," the good-time rock-blues of "Ride on a Pony," the dramatic "Fire and Water" and "Mr. Big," and the band's all-time classic, "All Right Now".

Ah, perhaps there's truth in advertising after all, since The Best of Uriah Heep really is a "best of." Nothing less than a musical Juggernaut, this compilation delivers wave after wave of heavy molten rock that will either forge your fealty or send you fleeing. At their most menacing ("Gypsy," "Bird of Prey"), Heep rides relentlessly alongside the horsemen of the apocalypse, Black Sabbath and Van Der Graaf Generator. What the band lacks in artful studio execution they make up for in sheer force, from Ken Hensley's towering organ to Mick Box's distortion-drenched guitar. Perhaps because of frequent personnel changes (chronicled in a multicolored chart on the disc sleeve that would give Ross Perot a headache), Uriah Heep never developed the consistent sound of other heavy metal acts.

The Gang's classic Funk #49 plus Take a Look Around; Tend My Garden; Collage; Ashes, the Rain and I; Walk Away; Midnight Man; Mother Says; Rocky Mountain Way; Meadows; Turn to Stone, and more. 18 tracks!

Roy Buchanan has long been considered one of the finest, yet criminally overlooked guitarists of the blues rock genre whose lyrical leads and use of harmonics would later influence such guitar greats as Jeff Beck, his one-time student Robbie Robertson, and ZZ Top's Billy Gibbons…

Ideally, one would avoid compilations of the Doors' work, except perhaps for the hit singles and moments when one wanted very light listening. This was a band that took itself very seriously, almost to the point of self-parody at times, and their music ought to be discovered in the setting and context in which it was intended, but assuming that one needs a Doors anthology, this 18-track collection (19 on CD) is the place to start…

For whatever reason, Pretty Things failed to make significant inroads in the U.S. when the window of opportunity was open widest. Perhaps the Rolling Stones, the Who, and the Animals more than fulfilled the quota for invading bad boys. Maybe their sophomoric (and less than artistic) obsession with drugs played a role, though that's doubtful, given the preponderance of mind-altering substance cheerleading by '60s bands. Like the Stones, Pretty Things incorporated garage, R&B, and psychedelia into their aggressive style of rock & roll…

20th Century Masters – The Millennium Collection: The Best of Eric Clapton is a compilation album by the British rock musician Eric Clapton. It was released on 15 June 2004, by Polydor Records and is part of Universal's 20th Century Masters – The Millennium Collection series. The compilation album has eleven tracks that Clapton recorded in the 1970s both as a solo artist and with Derek and the Dominos. Glyn Johns produced the album in association with Tom Dowd. Although the release sold 1,366,610 copies in the United States, it has not been certified platinum by the Recording Industry Association of America.