For a 1991 gig at the Blue Note in New York, vibraphonist Lionel Hampton headed a nonet full of classic veterans that were termed "the Golden Men of Jazz": trumpeters Clark Terry and Harry "Sweets" Edison, tenors James Moody and Buddy Tate, trombonist Al Grey, pianist Hank Jones, bassist Milt Hinton and drummer Grady Tate. Even with its many loose moments, these great players came up with some notable moments, including James Moody's humorous vocalizing on "Moody's Mood for Love" and particularly fine playing by Terry and Grey; Tate and Edison do show their age a bit, but are welcome participants in what must have been an occasion for celebration.
In a career spanning over seven decades, Quincy Jones has earned his reputation as a renaissance man of American music. Since entering the industry as an arranger in the early 1950s, he has distinguished himself as a bandleader, solo artist, sideman, songwriter, producer, film composer, and record label executive. A quick look at a few of the artists he's worked with - Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin - reveals the remarkable diversity of his career. He has been nominated for a record 80 Grammy awards, and has won 27 in categories including Best Instrumental Jazz Performance for "Walking in Space" (1969), Producer of the Year (1981), and Album of the Year for Jackson's Thriller (1983) and his own Back on the Block (1990)…
The Cinematic Orchestra is a British nu jazz and downtempo music group created in 1999 by Jason Swinscoe. The group is signed to independent record label Ninja Tune…
Trumpet Virtuoso Doc Severinsen was leader of the Johnny Carson hosted “Tonight Show” from 1967 to 1992 while having a prolific recording career. Tempestuous Trumpet / The Big Band's Back In Town, both from the early 1960s and produced by Enoch Light, offer the listener exciting big band music with excellent trumpet playing. First time on CD and re-mastered.
Many highlights of Scofield's work from his late 1980s-early 1990s tenure on Blue Note are included in this collection, which features cameos from Pat Metheny, Joe Lovano, Randy Brecker, and Bill Frisell among many other all stars. Also included is material from Hand Jive, Scofield's collaboration with Eddie Harris, and an unreleased take on Wayne Shorter's "Tom Thumb".
Blue Note's So Blue, So Funky, Vol. 1 is a 12-track compilation that highlights the funkiest soul-jazz organists that recorded for the label, whether it was a leader or as a sideman. Although there's a handful of cuts from the early '60s, such as "Face to Face" by the terrific, underrated Baby Face Willette, the compilation leans toward the funky fusions of the late '60s, such as Big John Patton's "Fat Judy," Lou Donaldson's "Everything I Do Is Gon' Be Funky (From Now On)," Jack McDuff's "Butter for Yo' Popcorn" and Grant Green's "Ain't It Funky Now." The best thing about this comp is that even though it has familiar names, not all of the material is readily available on CD, which makes it of interest to casual groove fans and serious collectors alike.