Kinfolk 2: See the Birds is the highly anticipated follow up to the 2017 Grammy-nominated album Kinfolk: Postcards From Everywhere. Featuring the diverse and all-star talents of Brittany Howard, Amma Whatt, Joel Ross, Kokayi, Michael Mayo, Regina Carter, Stokley and Vernon Reid, Kinfolk 2: See the Birds is the inspired and emphatic album that exemplifies Nate’s artistry as one of the most exciting, dynamic and innovative drummer-composers of his generation, adept across multi-genres and styles. Taking inspiration from his teenage years spent absorbing the diverse and eclectic riches of Prince, Michael Jackson and Living Colour. Kinfolk 2: See the Birds is a multi-faceted jewel and is set to be one of the most significant albums of 2021.
The Birds of Satan are an American progressive rock supergroup, assembled March 2014 as a side-project by front man Taylor Hawkins of the Foo Fighters. The band is composed of Chevy Metal members, Wiley Hodgden and Mick Murphy.Their self-titled debut record is to be released 14 April 2014 and pays tribute to seventies bands such as Queen, David Bowie, Wings, Jane's Addiction, Alice Cooper, and Aerosmith.Fellow Foo Fighters band members Dave Grohl, Rami Jaffee, and Pat Smear are set to feature on the album alongside Hawkins.
This is the Atlanta Symphony Orchestra conducted by Louis Lane 'Respighi: Pines of Rome; The Birds; Fountains of Rome' released on Telarc Records in 1985.
This is an astonishingly lively and exciting collection, coming from a band that scarcely sold any records in their own time and are known today for their name and their lineup, but not their music. The stuff here is as crunchy and grinding as the early Who material, and if the band's own songwriting isn't as distinctive, the style of the performing is more appealing. The songs range from some hot Ron Wood originals ("You're on My Mind," "Next in Line," "That's All I Need") to covers of obscure Motown songs and Pete Townshend material. Think of the Kinks from "Long Tall Sally," the Yardbirds from "A Certain Girl," or the Who from "The Good's Gone" and that's the dominant sound here - curiously, their cover of Townshend's "Run Run Run" starts out as though it's going to turn into "My Generation"…