This is the second creative project bringing together conductor Teodor Currentzis and director Peter Sellars (the first being the operatic double-bill of Iolanta and Perséphone staged in Madrid in 2012), and also the first collective production of three opera companies — the Perm Opera and Ballet Theatre, the Spanish Teatro Real and the English National Opera. The action is set in Central America. Spanish colonialists are at war with the native Mayan people. In the face of the armed forces the locals appear armed with bows and arrows, but they are mere children. Blood runs like a river. The Mayans resort to trickery – in order to infiltrate the enemy, the daughter of the Mayan chief becomes a concubine to the commander of the Spanish army. The plan brings her unexpected happiness (she falls in love with the commander and has children with him) but also tragedy (the Spanish colonialists continue the massacre of the Mayans). With nowhere to turn for help, the only hope is that the great Mayan gods will descend from the sky to the earth at the critical moment…
David Antony Clark is a New Zealand ambient / new age composer, born in Dunedin and currently living in Wellington. David Antony Clark is a new kind of explorer, his spirit of adventure guided not by sextant and compass, but by the instruments and charts of the composer and the faint footprints of his forebears.
Lead guitarist Esa Holopainen and drummer Jan Rechberger formed the band Amorphis in Finland in 1990. To complete their lineup they recruited vocalist/guitarist Tomi Koivusaari and bassist Olli-Pekka Laine. They released a demo in 1991 called Disment of Soul. The demo was so successful in getting attention for the group that they acquired a record deal and released an EP the same year. They next released their first full-length album, The Karelian Isthmus, in 1992. The following year, their early demo recording session was released as Privilege of Evil…
Who says you can't ever find your way home again? Finland's Amorphis started testing the veracity of that age-old maxim in 2005, when their Eclipse album interrupted years of ruthless genre-hopping evolution, took stock of a bevy of styles from all eras of the group's long career, and stewed them into a single, mostly satisfying mélange. Amorphis' peacemaking experiment with their past also coincided with the introduction of new vocalist Tomi Joutsen, leading some to speculate that the departed Pasi Koskinen had much to do with their prior direction, and perhaps proving the point when their subsequent outing, 2007's Silent Waters, found the band pursuing the all-inclusive philosophy once again…