The Boy, The Mole, The Fox

It's now half-a-century since British folk rock became A Thing, with the early practitioners breaking new ground and inspiring an entire scene that peaked in the late Sixties/early Seventies. Earnest young post-Dylan singer/songwriters moved away from the intimacy of the folk clubs in favour of the nascent college/university circuit. Counter-cultural iconoclasts The Incredible String Band became a seismic influence on a whole raft of bands now categorised as acid-folk, Pentangle's use of acoustic instrumentation within a nominally rock framework attracted many emulators (though arguably no real equals), while Fairport Convention graduated from their initial American West Coast-indebted sound to explore their own country's musical heritage, thus establishing the concept of indigenous English folk rock (a baton that would be picked up by the likes of Ashley Hutchings' post-Fairport venture Steeleye Span and many others).