The Changing Faces of Space

This book focuses on various concepts of space and their historical evolution. In particular, it examines the variations that have modified the notions of place, orientation, distance, vacuum, limit, bound and boundary, form and figure, continuity and contingence, in order to show how spatial characteristics are decisive in a range of contexts: in the determination and comprehension of exteriority; in individuation and identification; in defining the meaning of nature and of the natural sciences; in aesthetical formations and representations; in determining the relationship between experience, behavior and environment; and in the construction of mental and social subjectivity.

This book focuses on various concepts of space and their historical evolution. In particular, it examines the variations that have modified the notions of place, orientation, distance, vacuum, limit, bound and boundary, form and figure, continuity and contingence, in order to show how spatial characteristics are decisive in a range of contexts: in the determination and comprehension of exteriority; in individuation and identification; in defining the meaning of nature and of the natural sciences; in aesthetical formations and representations; in determining the relationship between experience, behavior and environment; and in the construction of mental and social subjectivity.

Thirty years ago, thousands of portraits from a small studio in Bradford were saved from a skip. They form a unique collection of photographs that records the changing face of a British industrial city in the middle of the 20th century. Many of the people in the portraits were new arrivals from the Asian subcontinent, eastern Europe and the Caribbean, attracted by the offer of work in wool mills. The names of these people are a mystery – only their faces survive.

Thirty years ago, thousands of portraits from a small studio in Bradford were saved from a skip. They form a unique collection of photographs that records the changing face of a British industrial city in the middle of the 20th century. Many of the people in the portraits were new arrivals from the Asian subcontinent, eastern Europe and the Caribbean, attracted by the offer of work in wool mills. The names of these people are a mystery – only their faces survive.

In Bohemia, at the very heart of Europe, south of the Golden City of Prague and guarded by medieval castles, lies a hidden mosaic of lakes and gently flowing rivers, of misty forests and mysterious peat bogs. This important wetland, shaped both by nature and centuries of influence by man, is a magnet for huge flocks of birds and home to an amazing diversity of plant and animal life.n spring there is an explosion of life as the trees are weighed down with nests of cormorants, egrets, herons and storks. With the arrival of winter the landscape becomes silent and desolate.

All Day, All Night is the second studio album by American R&B duo Changing Faces. It was released by Big Beat and Atlantic Records on June 10, 1997, in the United States. The album was released after multiple soundtrack appearances by the group, including A Low Down Dirty Shame (1994), White Man's Burden (1995) and High School High (1996) and Space Jam (1996). All Day, All Night features the singles "G.H.E.T.T.O.U.T.," "All of My Days," and "I Got Somebody Else," the latter of which was featured on the High School High soundtrack. The album was certified gold by July 1997, having sold over 500,000 copies in the US alone.

Christianity has produced some of the greatest works of art of all time, in which believers and non-believers alike can explore the great themes of life and death. It is the language in which Leonardo and Michelangelo, Dali and Rembrandt speak to us all about love and suffering, loss and hope. To mark the year 2000, these four programmes, written and presented by Neil MacGregor, Director of the National Gallery, London, consider how artists over two millennia have tackled the extraordinarily difficult task of representing Christ.

Christianity has produced some of the greatest works of art of all time, in which believers and non-believers alike can explore the great themes of life and death. It is the language in which Leonardo and Michelangelo, Dali and Rembrandt speak to us all about love and suffering, loss and hope. To mark the year 2000, these four programmes, written and presented by Neil MacGregor, Director of the National Gallery, London, consider how artists over two millennia have tackled the extraordinarily difficult task of representing Christ.