The Complete Musician

Bringing together the analytical, aural, and tactile activities that comprise a tonal theory curriculum, The Complete Musician, Second Edition, relies on a diverse repertoire and innovative exercises to explicitly connect theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context.

Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

7-disc CD box set from legendary trumpeter Roy Aldridge and the Verve Label. Includes his complete recordings 24-bit digitally remastered and booklet with rare photos. 2003 USA 102-track 7 CD set, each housed in its own jewel case with picture sleeve, and sleeve notes about the recordings. Chronicles the completes sessions for Verve recorded by Roy Eldridge across 7 CD's MD7-222. Limited Edition: 10000 copies. " The annals of jazz abound with nicknames: Satch, King, Pres, Lady, Count, Dizzy, Bird, Hawk, Rabbit, Lips, Fats, Curly, Slim, Slam. But only one musician was named for the music itself: Little Jazz–soon shortened to simply Jazz by Roy Eldridge's close friends. Norman Granz, who produced most of the sessions in this set, once wrote that he knew "no other musician whose playing better typifies the spirit of jazz than Roy Eldridge," and indeed Little Jazz was ALL jazz, from top to toe, the whole feisty five feet, six inches of him. Bristling with energy, "trying to outplay anybody, and outplay them my way," he was always ready to challenge all comers, but most of all, himself. "

This chapter in the Complete Columbia Albums series showcases the end of Return to Forever's initial run that had begun on Polydor with a very different band. The best-known line-up – Chick Corea, Stanley Clarke, Lenny White, and guitarist Al di Meola – appears only on the first album in this set, the iconic 1975 session Romantic Warrior, which was issued in 1976 (the rest of their recordings together are all on Polydor). According to many, it is the apotheosis and end of jazz-rock fusion proper. The lackluster Musicmagic was issued in 1977 with only Corea and Clarke remaining in the lineup – though saxophonist and flutist Joe Farrell had returned from the band's earliest incarnation in the early '70s. The last three discs in this collection are made up of Return to Forever's Live: The Complete Concert, with the same basic lineup as Musicmagic. This live album had a checkered release history in the United States. It initially appeared as a single LP simply called Live – single because it had been edited down from the two-and-a-half-hour concert.

This chapter in the Complete Columbia Albums series showcases the end of Return to Forever's initial run that had begun on Polydor with a very different band. The best-known line-up – Chick Corea, Stanley Clarke, Lenny White, and guitarist Al di Meola – appears only on the first album in this set, the iconic 1975 session Romantic Warrior, which was issued in 1976 (the rest of their recordings together are all on Polydor). According to many, it is the apotheosis and end of jazz-rock fusion proper. The lackluster Musicmagic was issued in 1977 with only Corea and Clarke remaining in the lineup – though saxophonist and flutist Joe Farrell had returned from the band's earliest incarnation in the early '70s. The last three discs in this collection are made up of Return to Forever's Live: The Complete Concert, with the same basic lineup as Musicmagic. This live album had a checkered release history in the United States. It initially appeared as a single LP simply called Live – single because it had been edited down from the two-and-a-half-hour concert.