The jazz world was immersed in controversy in 1965 when the bands of John Coltrane and Archie Shepp appeared at the Newport Jazz Festival. Coltrane's own style was undergoing constant evolution, his lines more convoluted and explosive, his sound increasingly ranging to vocal cries and metallic abrasions. He had also become a figurehead of the "avant-garde" or "New Thing," an established star who provided a public forum for younger musicians and the creative ferment largely taking place out of public hearing.
Impulse! Records released its first recording in 1961—60 years ago. The legendary jazz label, now a subsidiary of Universal Music Group, is marking that milestone with a yearlong campaign that will focus on a bevy of new releases, reissues, and other initiatives.
Amazing work from Marion Brown – two albums we'd never be without! Geechee Recollections is quite possibly our favorite record ever from reedman Brown – and very different than both his seminal 60s recordings, and his European sides from later years! There's a really earthy feel to this record – one that really lives up to the title, and which comes from the use of lots of percussion, played by just about every group member, ala AACM – but handled in a style that's warmly spiritual, and very organic too – right in line with the best Impulse Records vibe of the time, yet completely its own thing too! Brown plays alto and soprano sax, and is working with players who include Leo Smith on trumpet, William Malone on mbira and autoharp, James Jefferson on bass, and Steve McCall, Jumma Santos, Bill Hasson, and A Kobena Adzenyah on percussion – in addition to percussion plays by other group members too.