Pain and heartbreak have permeated Connie Smith’s timeless country sound and they pulse through The Cry of the Heart, Smith’s first album in a decade and her third collaboration with her husband, Marty Stuart (who also produces the effort). Smith asks” How many teardrops have I cried over you” on album opener “A Million and One,” reintroducing listeners to her radiant, textured voice. Smith and Stuart contributed two original tracks written together as well, the soaring “Here Comes My Baby Back Again” and weeper “Spare Me No Truth Tonight.” Other songs on The Cry of the Heart include “I Don’t Believe Me Anymore” the 72nd song Smith has recorded written by Hall of Fame songwriter Dallas Frazier, and Merle Haggard’s “Jesus Takes a Hold,” which is a reflection of Smith’s boundless faith in the midst of troubled times. Grammy Award- winning producer and songwriter Carl Jackson pens "To Pieces" and "I'm Not Over You," the latter composed with classic country singer Melba Montgomery.
In the early '60s, flutist Prince Lasha's work with alto saxophonist Sonny Simmons was often compared to the trailblazing free jazz that Ornette Coleman was exploring at the time. To be sure, Coleman was a major inspiration to both of them. And yet, The Cry! demonstrates that Lasha's work with Simmons had an avant-garde energy of its own. Coleman is a strong influence on this 1962 session – which Lasha co-led with Simmons – but The Cry! isn't an outright imitation of Coleman's work any more than Phil Woods' recordings are outright imitations of Charlie Parker's.
This was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died…
Released in 1962 on the Contemporary Records label, “The Cry!” Is a free jazz album by saxophonists Prince Lasha and Sonny Simmons. Also featured are Gary Peacock and Mark Proctor (bass), and Gene Stone (drums). This new edition features remastered hi-res audio from the original tapes.