For a long time, maybe 15 years or so, Robert Smith rumbled about the Cure's imminent retirement whenever the band had a new album ready for release. Invariably, Smith said the particular album served as a fitting epitaph, and it was now time for him to bring the Cure to an end and pursue something else, maybe a solo career, maybe a new band, maybe nothing else. This claim carried some weight when it was supporting a monumental exercise in dread, like Disintegration or Bloodflowers, but when applied to Wild Mood Swings, it seemed like no more than an empty threat, so fans played along with the game until Smith grew tired of it, abandoning it upon the 2004 release of his band's eponymous 13th album. Instead of being a minor shift in marketing, scrapping his promise to disband the Cure is a fairly significant development since it signals that Smith is comfortable being in the band, perhaps for the first time in his life…
For a long time, maybe 15 years or so, Robert Smith rumbled about the Cure's imminent retirement whenever the band had a new album ready for release. Invariably, Smith said the particular album served as a fitting epitaph, and it was now time for him to bring the Cure to an end and pursue something else, maybe a solo career, maybe a new band, maybe nothing else. This claim carried some weight when it was supporting a monumental exercise in dread, like Disintegration or Bloodflowers, but when applied to Wild Mood Swings, it seemed like no more than an empty threat, so fans played along with the game until Smith grew tired of it, abandoning it upon the 2004 release of his band's eponymous 13th album. Instead of being a minor shift in marketing, scrapping his promise to disband the Cure is a fairly significant development since it signals that Smith is comfortable being in the band, perhaps for the first time in his life…
2 Blu-Ray Standard Edition. In 2018 The Cure performed two historic shows celebrating a 40-year career. ANNIVERSARY: 1978-2018 Live In Hyde Park London - a 29-song, 135-minute anniversary concert and CUREATION-25: From There To Here, From Here To There - captured on the tenth and final night of the 25th Meltdown Festival (curated by lead singer Robert Smith) at London's Royal Festival performing a song from each of their 13 studio albums in chronological order, displaying the evolution of The Cure's music live on stage…
Wisely, the Cure decided to start fresh upon signing with their new label in 2004 by cleaning house, remastering the old albums, and bringing their fans Join the Dots: B-Sides & Rarities, 1978-2001. Not only is it the ultimate companion to the official releases, but it is, in a way, the new-super-deluxe-updated version of that cassette release of Staring at the Sea. Every B-side is included, in order, with cleaned-up sound, liner notes, and explanations by the man who made it all happen. All tracks, from "10.15 Saturday Night" (the B-side to the debut single "Killing an Arab") to covers of "Hello, I Love You," "Purple Haze," and "World in My Eyes," to entries from the Bloodflowers singles, are an indication that while the Cure made both strong albums and singles, they were not afraid to experiment along the way, and more importantly, they didn't let pride keep them from not making them available to those who were willing to look for them…
Wisely, the Cure decided to start fresh upon signing with their new label in 2004 by cleaning house, remastering the old albums, and bringing their fans Join the Dots: B-Sides & Rarities, 1978-2001. Not only is it the ultimate companion to the official releases, but it is, in a way, the new-super-deluxe-updated version of that cassette release of Staring at the Sea. Every B-side is included, in order, with cleaned-up sound, liner notes, and explanations by the man who made it all happen. All tracks, from "10.15 Saturday Night" (the B-side to the debut single "Killing an Arab") to covers of "Hello, I Love You," "Purple Haze," and "World in My Eyes," to entries from the Bloodflowers singles, are an indication that while the Cure made both strong albums and singles, they were not afraid to experiment along the way, and more importantly, they didn't let pride keep them from not making them available to those who were willing to look for them…