The Cure Shm

Difficult to Cure is the fifth studio album by the British hard rock band Rainbow, released in 1981. The album marked the further commercialization of the band's sound, with Ritchie Blackmore once describing at the time his appreciation of the band Foreigner…

The full-blown rock opera about a deaf, dumb, and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend. Hailed as a breakthrough upon its release, its critical standing has diminished somewhat in the ensuing decades because of the occasional pretensions of the concept and because of the insubstantial nature of some of the songs that functioned as little more than devices to advance the rather sketchy plot…

Ritchie Blackmore decided to pull the plug on Rainbow following the supporting tour for 1983's Bent Out of Shape. To commemorate the end of the band, he released the appropriately-titled, Finyl Vinyl. A double-record set of live recordings and a handful of studio outtakes, primarily culled from the Joe Lynn Turner era but also featuring selections with Ronnie James Dio and Graham Bonnet, Finyl Vinyl offers a haphazard alternate history designed for hardcore fans (by 1986, that's pretty much all Blackmore had left). For those fans, the album is actually quite a treat. Rainbow always sounded better on stage than they did on the studio – rawer, harder, alive – and songs that sounded half-baked in the studio, such as selections from Difficult to Cure, sound right here.

From 1981, this was J.J. Cale's sixth album (following the succinctly titled NUMBER 5, and returning to his tradition of single-word album titles). Though Cale didn't use one constant band throughout the album, it's got a remarkably unified feeling. This is in part due to the great musicians on hand (pianist Bill Payne, drummers Jim Keltner and Russ Kunkel, and guitarist James Burton among others), but primarily to Cale himself. His songs and his overal approach to music are all-encompassing; the seductive and laid-back grooves his rhythm sections empower are written into the very fabric of the songs. "Carry On," "Pack My Jack"–these are songs of simple, sturdy strengths, succinctly written and concisely rendered. There are never any stray notes or decorative filigrees. Friendly and inviting, SHADES sounds good in any season and at any time of day (and may be some of the best hangover cure music around).