The Day The World Came to Town

Kobo Town brings the past to the surface on Where the Galleon Sank
Drew Gonsalves was on a boat when the idea came to him. The Kobo Town bandleader was heading out on the Gulf of Paria, a pocket of the Caribbean Sea which stretches between Trinidad and Venezuela, when he spotted the rusted wreck of an old barge beneath the surface.

Kobo Town brings the past to the surface on Where the Galleon Sank
Drew Gonsalves was on a boat when the idea came to him. The Kobo Town bandleader was heading out on the Gulf of Paria, a pocket of the Caribbean Sea which stretches between Trinidad and Venezuela, when he spotted the rusted wreck of an old barge beneath the surface.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.