The Doors Discography

This collection spotlights every single, and B-side, the band released, all gathered together for the first time. This 2CD/1Blu-ray release also includes four “Mono Radio Versions” of some of the band’s biggest hits, such as “Hello, I Love You” and “Touch Me,” which have never been made available anywhere after being sent to radio around their original release…

The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult…

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records…

Dave Pike - The Doors Of Perception (1970) {Wounded Bird WOU2007 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 168 Mb | MP3 @320 -> 65 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1970, 2007 Wounded Bird Records | WOU 2007
Jazz / Modal Music / Psychedelic Jazz / Vibes

The Doors of Perception, recorded by Dave Pike and his group, is one of the oddest records in his rather exotic – and utterly hip – discography. Produced by Herbie Mann and featuring a cast of all-stars including Lee Konitz, Eddie Daniels, Don Friedman, Chuck Israel, and Arnie Wise, this is the Pike version of an acid experiment. On this 1970 release (recorded perhaps as early as 1966), Mann gets all crazy with sound effects like echo chamber, piped-in applause from a make-believe audience, thunderstorms, the dancefloor of a crowded discotheque, a Leslie speaker recorded on overload on warbling audio tape, perhaps even the sound of a live date.

The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. More to the point, though, this was their weakest set of material, low lights including filler like "Do It" and "Runnin' Blue," a strange bluegrass-soul blend that was a small hit…