While this CD didn't have the vibe of our first record together, it was vastly superior to the second CD. There was a lot of raw energy coupled with orchestration finesse. That's what Clarke/Duke is about - sweet and sour! ~ George Duke
Thankfully, Duke Ellington's live performances were well documented in the 1940s, 1950s, and 1960s - and there is hardly a shortage of live Ellington recordings that are available on CD. Spanning 1943-1969, The Duke in Washington doesn't focus on any one concert. Instead, this Danish release (which Storyville released in 1999) was recorded at six different places - the interesting thing is that all of them are in Washington, D.C. (the Duke's home town) or nearby in Maryland and Virginia…
Historians and some Duke Ellington fans look askance at the brief period he spent on Capitol Records (1953-55). This was a hectic period in jazz, with bebop in the near-view, hard bop coming along as well, and the big band was considered by many to be a relic of bygone eras. Yet Ellington persevered, and not without another adversity: the temporary loss of signature alto player Johnny Hodges, who was off leading his own bands. The resulting five CDs worth of material collected here show an Ellington band more aimed at repetition, both of its own repertoire, which had sounded better in the 1940s, and of other bands' material.
The mastery of an instrument or a musical language doesn’t necessarily mean that a musician must be frivolous in performance with displays of their masterful technique or engagement in superfluous overplaying. Sometimes it is the restraint that shows the maturity and taste of a performer. Rufus Reid and Sullivan Fortner are musicians who have the easy ability to astonish but show their class in their control.