Caution, high voltage! On their celebrated summer Tour, The BossHoss have returned with fully charged batteries - with their brand new single 'Electric Horsemen,' the Berlin cowboys present the high-energy title track of their 10th studio album! New single, new album, new sound! After the release of their recent dancefloor hit 'Dance The Boogie,' everyone knows: The BossHoss are back and electrified! With 'Electric Horsemen,' the boys have now presented another floor-filling guarantee, where rock riffs merge with driving beats and sparkling Las Vegas glam into a modern power mix. A completely new musical energy and color, as Alec 'Boss Burns' Völkel comments.
Texas songwriter Ray Wylie Hubbard pushed life to the margin and lived to sing about it. In the process, his songs now possess the tenderness of a poet, the empathy of a historian, and the raw nerve of a card shark. On 2009’s A. Enlightenment B. Endarkenment (Hint: There Is No C), he adds "mythmaker" to his songwriting qualities. Hubbard strips his music to the bone here, and uses the Mississippi Delta blues tradition to his own ends. His music is raw yet utterly contemporary and crafted. Snarling acoustic, slide, and electric guitars played bottleneck style, dirty mandolins, pots, pans, stomp boxes, basses, organs, harmoniums, drums, rattles, shakers, and tambourines are the instruments that fuel this impressive collection.
Gear Fab Records has continued to unearth some of the most obscure '60s psychedelic sides for their massive undertaking of issuing these records region by region. It's a remarkable task, especially since so many relics from the psychedelic era have already been mined for the immensely popular Nuggets box sets, the Pebbles collections, and myriad other small-label collections. These are truly enjoyable sets of quality songs, not just the bottom of the barrel.
THIRTY YEARS of friends, heroes, riffs, past, present, things borrowed, and things new (four never-heard-before songs from the Death Magnetic daze), all with the family who has been there throughout
All Back To Mine was made on the back of the Sean Rowley TV show of the same name, where he would basically go around famous musician’s houses, rummage through their record collections, and then get them to talk about and play their favorite, most proud off, obscurer, in short their most show-off tunes. The concept was based on the idea of when you've been out clubbing and the night is drawing to an end, but you're so wired that sleep is the furthest possible thing from your mind. So this is when you blag an impromptu party at someone’s house who you've only just met. This, according to Sean Rowley, is where you get to rummage through their record collection and the host gets to impress you with these little rare nuggets of tunes that you’ve never heard before, but can’t believe you’ve lived without for so long.
Anne's 7th Opus in 13 Years, Containing 6 Fantastic Covers and 6 of Her Own Songs, Recorded in One of the Most Prestigious Studios in Montreal with Her Original Blue Mind Team.