The End we Start From

The Way We Live wasn't a terribly commercial or compelling name for a rock band, and Tractor is a yet more awkward and less appealing moniker. Yet, for some reason, that's what the Way We Live changed their name to between the 1971 A Candle for Judith album (which turned out to be the only the Way We Live LP) and their 1972 follow-up, Tractor. Both albums are combined onto one CD on this 1994 reissue by See For Miles. A Candle for Judith was uneven, second-division, early-'70s British hippie rock, divided between lumpy, bluesy hard rock and far folkier, pastoral, acoustic-flavored musings.

THE END MACHINE are back with their sophomore album, "Phase2," which follows on the heels of their well-received and successful self-titled debut album released in 2018. The End Machine features former classic lineup Dokken members George Lynch and Jeff Pilson with the awesome singer Robert Mason (Warrant, Lynch Mob) on lead vocals. Classic Dokken drummer Mick Brown handled drums on the first album, but is now retired, so in his place behind the drum kit is none other than his brother Steve Brown. The new record builds on the great bluesy hard rock music of the debut, but sees the band move more towards the classic Dokken sound and the result is a 2.0 reboot of a killer music machine!

A monster bit of funk that's unlike anything else we can think of! Their number 15 pop smash "Funky Nassau Part 1 & 2" is the cream of this hands-on production by the Bahamas natives. The nine cuts fuses island rhythms and American jazz/funk into a doable, choppy mixture featuring guitars, bass, drums, and scratch vocals. Misclassified as a disco band, the Beginning of the End served up breezy Phil Upchurch-esque sounds, with "Come Down" and "Surrey Ride" being prime examples.

A monster bit of funk that's unlike anything else we can think of! Their number 15 pop smash "Funky Nassau Part 1 & 2" is the cream of this hands-on production by the Bahamas natives. The nine cuts fuses island rhythms and American jazz/funk into a doable, choppy mixture featuring guitars, bass, drums, and scratch vocals. Misclassified as a disco band, the Beginning of the End served up breezy Phil Upchurch-esque sounds, with "Come Down" and "Surrey Ride" being prime examples.