The Eyes of Shame

The SOULFIRE LIVE! Blu-ray video edition will include Little Steven and the Disciples of Soul’s complete Cavern Club concert alongside video performances of each song on the 3CD set, exclusive interviews, and behind-the-scenes footage. In addition, the Blu-ray edition will feature a special documentary about the Cavern Club…

“It’s important to bare my soul the way I have,” Frank Carter tells Apple Music. “I have a platform and a responsibility to use it for good, to ask questions and make statements that I know other people feel but maybe don’t have the bravery or the means to.” End of Suffering, Carter’s third album with The Rattlesnakes, is the product of two years of unflinching self-reflection. Confessional and courageous, it spans moments of both great joy and profound despair. “I’ve constantly validated myself through the opinion of others,” he says. “I’ve looked to fill that void with drugs and alcohol and sex and relationships, and they’ve all fallen short. It can only come from within. We’re human: We’re very complicated, we’re extremely multifaceted. The minute you try and repress any one of those faces, that’s when the problems start.” The music soundtracking these reflections is equally searching and absorbing. “We made sure that everything’s in there, from techno and dance through to Elton John and Black Flag.” This is Frank’s track-by-track guide to his journey.

A four-hour, 90-track overview of the Los Angeles music scene between 1965 and 1968
Featuring a dazzling combination of major league LA players, enduring cult acts and ultra-rare garage punk 45s Housed in a stylish clamshell box, ‘Heroes and Villains’ is a fascinating four-hour trip into the heart of the late ‘60s LA music goldmine. After The Beatles captivated a generation with their appearance on the Ed Sullivan Show, the Los Angeles music scene moved beyond the previously-dominant surf, hot-rod and girl group discs to fashion a spirited response to the British Invasion.

Agnetha Fältskog is a Swedish pop singer, best known for being an original member of 70s superstars ABBA.Agnetha's love of music as a child led her to form a musical trio with two school friends called The Cambers. The group didn't last long, but Agnetha continued to write songs as she had been for most of her life. She left school to sing with a dance band and work part time as a telephone operator at a car dealership. After Agnetha passed out one day at work, her mother forced her to choose her job or her singing. Fortunately, Agnetha chose singing.

Hyperion have come up trumps again with another delightful disc of out-of-the-way music. The brainchild of Graham Johnson, it is subtitled "150 Years of English Women Composers", with notes by Sophie Fuller, author of a book due out next year entitled The Pandora Guide to Women Composers. In the course of the programme the performers uncover a host of imaginative, impassioned and/or joyful songs that have lain for too long literally unsung, and revived others that were hugely popular until very recent times. Let me say at once that they couldn't have more perceptive or loving or enthusiastic interpreters than Johnson and Johnson, who excel even their own high standards of singing and playing.