The Fifteen

The Q-music Sessions is a special Within Temptation cover album in which consists of eleven covers made by the band for the Belgian radio station Q-music in celebration of their fifteenth anniversary. Due to the positive reactions from fans and the radio audience, the band decided to release a special album containing eleven of the fifteen covers made

This album brings together the only recorded sessions that Chet Baker and Bill Evans shared, together, yes, but with other great musicians as Herbie Mann, Pepper Adams, Kenny Burrell and Zoot Sims among others. The records were held in New York in two sessions during 1958 and 1959. Whoever possesses the records 'The lyrical trumpet of Chet Baker' and 'Chet Baker plays the best of Lerner & Loewe', already has fourteen of the fifteen tracks on the album, except for the bonus in which the pianist Bob Corwin replaces Evans ('Almost like being in love').

John Lindberg Ensemble - The Catbird Sings (2000) {Black Saint 120198-2 rec 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 336 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 300 dpi (png) -> 13 Mb | 5% repair rar
© 2000 Black Saint | 120198-2
Jazz / Modern Creative / Post Bop / Progressive Jazz / Bass

And here is another winner from John Lindberg, in an ensemble with Andrew Cyrille on drums, Larry Ochs on sax and Wadada Leo Smith on trumpet. Not all tracks are played by all four musicians. The first piece is a wonderful slow meditative duet between trumpet and bass. The second, "Waltz Four", starts with a strong two-minute long bass intro, after which the three other musicians join, with a staggeringly beautiful melody in the high tones by Ochs, with solid thematic counterpoint by Smith.

If the great players who stamped out Chicago's West Side as their cutting fields in the 1960's - Magic Sam, Freddie King, Otis Rush, Buddy Guy, Albert King - had pushed their command blues melodies into new harmonic territory, one result may have been Barry Levenson's The Late Show. Interestingly, ten of the fifteen tracks here are instrumentals, although as befitting a 21st century roots stylist, Levenson has a broader, all-encompassing approach than your average blues album. In this way, The Late Show is a concept album that mines all facets of the blues and blues-based guitar. From the Meters-like groove of Meters Runnin' to the Bill Frisell-shaped twang of Steel Life to the Bobby Womack and Curtis Mayfield church-derived Whole Lotta Blues and the Les Paul sweep of Charlie's Ride, Levenson lays down line after line of single notes whose harmonic backdrop is Grant Green and Kenny Burrell's boplicity.

Winner of Best Reggae Album Grammy 2023. The Bebble Rock virtuoso Kabaka Pyramid released his sophomore album, The Kalling, produced by Damian 'Jr Gong' Marley. The fifteen-track masterpiece features some of the reggae icon's most frequent collaborators like Damian Marley, Protoje, Black Am I, Jesse Royal, and new collaborators like Buju Banton and Stephen Marley. This second installment in Kabaka's album discography is a symphony of songs that make a musical statement about the evolution of his craft.

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie's band, including the incomparable tenor saxophonist Cedric 'I'm' Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I.

Perhaps one of the most celebrated soundtracks in the modern classical and ambient communities is that of Solaris by Cliff Martinez. But it’s not all that this former Red Hot Chili Peppers drummer is known for. His first film score was composed in 1989 for Sex, Lies, And Videotape, and while working with the same producer, Steven Soderbergh, Martinez produced soundtracks for Traffic (2000), above mentioned Solaris (2002) and Contagion (2011). In 2012 Martinez joins director Robert Redford for a soundtrack to a political action thriller, The Company You Keep.
The fifteen tracks on The Company You Keep create a moody and tense atmosphere ranging from minimal background cinematic themes to building storms in scale, rhythm and volume, in some cases employing a filtered synth bassline for added anxiety…