The Fifteen

With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.

Winner of Best Reggae Album Grammy 2023. The Bebble Rock virtuoso Kabaka Pyramid released his sophomore album, The Kalling, produced by Damian 'Jr Gong' Marley. The fifteen-track masterpiece features some of the reggae icon's most frequent collaborators like Damian Marley, Protoje, Black Am I, Jesse Royal, and new collaborators like Buju Banton and Stephen Marley. This second installment in Kabaka's album discography is a symphony of songs that make a musical statement about the evolution of his craft.

The Legendary Pink Dots exist in the fields of experimental and psychedelic music. The band is fronted by Edward Ka-Spel, who doubles as singer and chief lyric writer. Phil Knight (The Silverman), Erik Drost, and Raymond Steeg make up the current lineup of the band. The sound is often a conglomerate of electronics, saxophones, guitars, drums, and Ka-Spel's distinctive voice and lyrical invention…

‘And Also The Trees’ compelling new album, ‘Mother-of-Pearl Moon’, was born from a series of extraordinary electric guitar improvisations created by guitarist Justin Jones in the pre- and postdawn hours during a month of solitude in 2020. Each piece then developed in its own way - the guitar, often left in its raw, unaltered form, is accompanied by the voice of his brother Simon, bringing imagery and narrative, Colin Ozanne’s clarinet and piano adding poise, colour and harmony, Paul Hill’s percussion creating depth… on occasion an autoharp, a Moog… all leading the listener from the depths of the English countryside far out in all directions of the compass. The music is often filmic, reminiscent of various film genres from the ‘50s to the ‘70s.