Marc-André presents a fascinating juxtaposition of two composers who are not obviously musically related, but who are proved on this album to be a felicitous combination. Schumann’s well-loved Kinderszenen (‘Scenes from childhood’) cycle is a masterpiece: each piece is as deftly and exquisitely crafted as anything in his more outwardly sophisticated mode. From the haunting beauty of the opening ‘From foreign lands and people’ (‘Von fremden Ländern und Menschen’), via the spare eloquence of the central ‘Dreaming’ (‘Träumerei’), to the quiet rhetoric of ‘The poet speaks’ (‘Der Dichter spricht’), the listener is taken through nuances of emotion whose effects are heartrendingly poignant.
Sixties UK freakbeat legends get a new legit re-release of their complete available recordings and Guerssen is the proud new home for them. A cult freakbeat and psychedelic group, well-known for such all-time classics as Path Through The Forest andTry A Little Sunshine, Factory released only a couple of 45s (both of them obscenely rare, rarely showing up anywhere). Here we get the four tracks appearing on these 45s, plus a couple tracks taken from acetates (killer covers of Family’s Second Generation Woman and Fairport Convention’s Mr. Lacey), as well as a new mix of Path Through The Forest that includes the original psychedelic effects that were supposed to make it to the actual release, but were dropped out by the MGM label supervisor…
Old Forest return in 2021 with their 6th full-length album Mournfall – the follow-up to 2019’s well-received Black Forests of Eternal Doom album’ (aside from the debut album reproduction and various vinyl releases). Mournfall continues the path forged on their last opus by further developing their own individual mix of early 90s style Black Metal with epic Doom riffs. Owing as much to the early works of Paradise Lost or Candlemass as to that of Emperor or Darkthrone, the resulting epicly mournful and ambient take on Black Metal is perhaps not unsurprising. Accompanied by melancholic lyrics weaving tales of misery and woe, it is perhaps not to be understated how dark the 8 songs can get over the 41 minutes. Additional bonus CD material is taken from the minidisc master of 2001’s unreleased demo Sussex Hell Hound
Gabriele Fiori – already frontman of Rome-based outfits Black Rainbows and Killer Boogie and a key figure in Europe’s heavy underground as the head of the Heavy Psych Sounds label and booking agency – was not exactly lacking for things to do. And yet, a couple years back, The Pilgrim started to nebulously take shape as an idea for a solo-project, something different than the hard-driving psychedelia and garage heavy rock for which he’d already been so revered.
The earnest Richie Havens of Woodstock has turned into a mellower, wiser man and a very spiritual individual – which infuses his music with a wonderful depth. "The Well," the album's opening track, is a prime example, a small path toward truth and love. But love in all its forms is the central idea of the album – even down to one of the covers, a glowing, laid-back version of Gary Wright's '70s FM staple "Love Is Alive" that's enough to make you forget the original (now if he could only manage the same for "Dream Weaver").
Marc-André presents a fascinating juxtaposition of two composers who are not obviously musically related, but who are proved on this album to be a felicitous combination.