The Gathering 2024

A top-down roguelike vehicular shooter set in a Soviet post-apocalypse.

In many ways, the music of Writhing Squares could have only originated in Philadelphia; the city itself is a microcosm of creatives, go-getters, freaks & weirdos that have coalesced into a supportive & boundary-pushing crew. Former Purling Hiss bassist Daniel Provenzano & Ecstatic Vision sax-player & vocalist Kevin Nickles’ first musical missive as Writhing Squares was shot forth from this community in 2013 (the self-released CDR “Live In Space”) & various singles, split releases, albums (and a double-album) later we arrive at the duo’s fourth full-length “Mythology”, their third for Chicago-based Trouble In Mind Records.

Based in Cleveland, Ohio, far from the cities of the historical performance mainstream, Apollo's Fire is an innovative, popular, and critically acclaimed group devoted to repertory from the Renaissance, Baroque, and early Classical eras. Typically, Apollo's Fire has a subscription concert schedule consisting of five to seven programs yearly, with each concert performed several times over a three- or four-day period. In addition, the group regularly tours throughout the U.S., Canada, and Europe. Offering the kind of freethinking that develops best when it's far from established scenes, Apollo's Fire continues to push historical performance in new directions. Most of its recordings have achieved both impressive sales and critical plaudits, recording with greater frequency since the turn of the new century. In 2022, Apollo's Fire issued a live recording taken from 2018 and 2020 of Jeannette Sorrell's O Jerusalem! City of Three Faiths.

January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business. Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music. With that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line down the block for every show.

January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business. Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music. With that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line down the block for every show.

January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business. Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music. With that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line down the block for every show.

Almost every track new to CD. Includes best-selling albums from the mid-70s. Features numerous major Jamaican hits.
Few Jamaican music makers have demonstrated greater versatility or proficiency than Lloyd Charmers, who first made his name on the Jamaican music scene as a youthful singer- songwriter in the early 60s, performing as half of the popular duo, The Charmers. Subsequent solo works along with a spell with The Uniques vocal trio ultimately led on to a move into record production. Over the years that immediately followed, his output as both a performer and producer included multiple major reggae hits, most notably Ken Boothe’s chart-topping version of ‘Everything I Own’, the success of which confirmed Charmer’s position as one of the Jamaica’s finest talents. Soon after this international best-seller, he produced works by a number of other leading Jamaican-based acts, their number including keyboard maestro Harold Butler, popular singer Dobby Dobson and the multi-talented Richard Ace - and it is these three supremely gifted artists whose work primarily comprises this collection.

Composer Thomas Cabaniss and the Charleston Symphony String Quartet bring a new and exquisite recording of Cabaniss’s third, fourth, and sixth string quartets to Navona Records.