The Godfather

The supplemental disc include a host of new features mixed in with older ones that were previously created for the 2001 release. As if the restored films alone would be reason enough to own this set, the extra features are plentiful and mostly informative.

La-La Land Records, Paramount Pictures and Geffen Records proudly present a remastered and expanded Limited Edition 2-CD release of acclaimed composer Nino Rota’s (8 1/2, LA DOLCE VITA, WAR AND PEACE) original motion picture score to the 1972 Academy Award-winning masterpiece THE GODFATHER starring Marlon Brando, Al Pacino and Diane Keaton, and directed by Francis Ford Coppola.

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, THE GODFATHER, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening THE GODFATHER's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business..

Nino Rota's iconic soundtrack from the classic 1972 movie was named the fifth greatest film score of all time by the American Film Institute. Rota won both a Golden Globe and a Grammy for the soundtrack, which, propelled by the movie's success but taking on a life of its own, peaked at number 21 on the charts. The album is entirely instrumental except for I Have But One Heart, sung by Al Martino, who also sang the song in character in the film.

In its matching up of Andy Williams titles for a two-fer release, Collectables Records has opted to combine Williams' spring 1972 album Love Theme From "The Godfather" with his spring 1974 album The Way We Were, skipping over his fall 1972 album Alone Again (Naturally) and his fall 1973 album Solitaire. (Those two are together on another disc.) The theory may have been that these two both had something to do with the movies while the two in between did not, but in fact all of these albums take the same approach, more or less. That approach is to have Williams present his interpretations of songs from the pop charts of the period. As it happens, these two albums mark significant milestones for the singer, albeit of opposite sorts.