The Great

When a law school dropout answers an advertisement to be a personal assistant he unknowingly signs on to work for a belligerent has-been magician struggling to resurrect his career. This leads to a journey across the country staging the comeback of a lifetime.

Walk back in time to the Ming dynasty as you encounter the 4,000 milewonder of China's Great Wall and travel along the legendary Silk Road. It tells a tale of the great power of ancient dyanties, and the immense beauty possible in the fortification of borders.

In 1924 there occurred an extraordinary coincidence: George Gershwin composed his Rhapsody in Blue and F. Scott Fitzgerald wrote his third novel The Great Gatsby. Gershwin’s score was bright, tuneful and optimistic. Fitzgerald’s novel was brilliant, funny and sad. Both defined the 1920’s as what Fitzgerald dubbed “The Jazz Age”. I knew and loved both book and music from a very early age. I had an opportunity to express this when in 2019 the Pittsburgh Ballet Theatre commissioned a new score for a ballet based on the novel. I wanted this ballet to sound like an expensive Broadway musical of the period: a small group of strings but plenty of saxes, pinging brass and holding it together that jazz beat and the throb of the Blues, but I also had a story to tell and characters to delineate. The novel darts about in time, only gradually revealing Gatsby’s story. In choosing selections for concerts and CD, I chose to mix it up and look for a musical logic. I also wanted to pay tribute to the popular dances of the day: sentimental waltzes, the Argentine tango and Paso Doble, Foxtrots and above all, the Charleston but central to the book is the classic love story of Daisy Fay and Jay Gatsby. What starts as a wartime romance in 1917 ends tragically with their reunion five years later.

The first 50th anniversary Billy Joel package has been announced, with Billy Joel – The Vinyl Collection, Vol.1, set for release on November 21st. Focusing on Billy’s 1970's material, the set features all the albums from 1971's Cold Spring Harbor through 1981's Songs In The Attic — with the exception of 1980's Glass Houses.

Chicago-based composer Ross Crean’s opera The Great God Pan soars in this new release, the first collaboration between the composer and PARMA recordings. The Great God Pan takes its story from an eponymous 1890 novella by Welsh author Arthur Machen, which explores themes of scientific hubris, transcendental medicine, and unexplainable supernatural behavior. Impressively, Crean adapted Machen’s narrative into the work’s libretto himself, an ambitious and rare undertaking for a composer. Crean’s familiarity with the story shows through in the emotional resonance of his music, which matches and communicates the character’s concerns and feelings with unflinching precision. The key to Crean’s musical portrayal of the story is twofold.