The Horrors Flac

British garage punk revivalists who transformed into moody rockers with critical acclaim for their merger of goth, post-punk, and shoegaze. Recorded over 15 months in the band's east London studio-laboratory-bunker with co-producer Craig Silvey (Yeah Yeah Yeahs, Arcade Fire, The National), "Luminous" is the follow-up to the band's 2007 debut "Strange House", the Mercury-nominated "Primary Colours" (2009), and the critically-acclaimed "Skying" (2011). Tasking themselves with moving onwards, The Horrors determined to make an album that was brighter, more positive, more electronic.

British garage punk revivalists who transformed into moody rockers with critical acclaim for their merger of goth, post-punk, and shoegaze. Recorded over 15 months in the band's east London studio-laboratory-bunker with co-producer Craig Silvey (Yeah Yeah Yeahs, Arcade Fire, The National), "Luminous" is the follow-up to the band's 2007 debut "Strange House", the Mercury-nominated "Primary Colours" (2009), and the critically-acclaimed "Skying" (2011). Tasking themselves with moving onwards, The Horrors determined to make an album that was brighter, more positive, more electronic.

The KVB releases a remix EP that includes reworks from Drab Majesty, trentemøller, Moa Moa, Principleasure, maXlon and the band themselves.

'V' is the fifth album from The Horrors and their first new release in three years. The new album shows the group at the peak of their powers, exhibiting a freedom and sense of exploration that feels truly liberating. Recorded in London with producer Paul Epworth (fka twigs, Lorde, Rihanna, Adele), 'V' is the sound of the band making the most expansive and progressive music of their careers.

Rob Zombie The longtime frontman for '90s industrial superstars White Zombie, New England-bred multi-hyphenate Rob Zombie went on to forge a highly successful solo career and later branched off into the world of film. A lover of B-movie camp, horror nostalgia, and psychedelic imagery, his enduring 1998 debut Hellbilly Deluxe set him apart from contemporaries by balancing brutal metal power with a tongue-in-cheek sense of humor and sexiness that never took itself too seriously. Over the decades, he remained a fixture in the U.S. Top Ten, scoring additional hits with 2001's The Sinister Urge and 2006's Educated Horses.

To celebrate the 21st anniversary of their debut release, Blur s fourth album The Great Escape has now been remastered from the original tapes by Frank Arkwright, with the remastering overseen by legendary original producer, Stephen Street. Whilst Parklife took Blur stratospheric, The Great Escape maintained the band s success with their second successive No 1 entry into the album charts, with the September 1995 release going on to sell three times platinum. Accompanying the remastered album, the bonus disc of The Great Escape Special Edition crams in 18 tracks, including all the b-sides from all formats of the Country House, The Universal, Stereotypes and Charmless Man singles. Among these b-sides are nestled a duet version of To The End between Damon and Francoise Hardy, the Live It! remix of Entertain Me and four tracks taken from the now legendary 1995 Blur gig at Mile End Stadium. Completing the bonus disc are two live tracks from Blur s show at the Budokan arena in Tokyo (both of which were only previously released on the Japanese-only single release of It Could Be You), plus the instrumental Eine Kleine Lift Musik, which originally formed part of the Help War Child compilation released in 1995.

Rick Wakeman One of the premier rock keyboardists of the progressive era, Rick Wakeman cut his teeth as a London session musician at the tail-end of the 1960s before earning star status as a member of prog rock superstars Yes in 1971. He left the band in 1973 to concentrate on his burgeoning solo career and within a few years had released a trio of ambitious, classical rock albums that proved highly successful: The Six Wives of Henry VIII, Journey to the Centre of the Earth, and The Myths and Legends of King Arthur and the Knights of the Round Table. Wakeman briefly rejoined Yes in the late '70s, and during the next decade produced the film score for Ken Russell's Lisztomania; he also co-wrote a musical version of George Orwell's 1984 with lyricist Tim Rice. He subsequently recorded a series of acclaimed new age albums, recorded and toured intermittently with Yes, and maintained a prodigious recording and touring schedule, balancing his rock, new age, religious, and solo piano work. In the 21st century, albums like 2000's Preludes to a Century and 2017's Piano Portraits earned Wakeman critical acclaim and even a return to chart success, especially on his prog-heavy 2020 outing The Red Planet.

Silva Screen Records presents new digital recordings performed by The City of Prague Philharmonic conducted by Nic Raine featuring Crouch End Festival Chorus (Choir Master - David Temple), also the Westminster Philharmonic Orchestra, plus The Philharmonia Orchestra conducted by Carl Davis, Neil Richardson and Kenneth Alwyn. The two CD set of twenty-eight tracks, over 130 minutes of music including such selections - "THE BRIDE OF FRANKENSTEIN" (1935-Franz Waxman) - "THE THING" (1951-Dimitri Tiomkin) - "THE EXORCIST" (1973-Mike Oldfield) - "HALLOWEEN" (1978-John Carpenter) - "THE HAUNTING" (1999-Jerry Goldsmith) evokes a string of horror and tension. As usual a few stand outs - "THE DEVIL RIDES OUT" (1968-James Bernard) Bernard's inexorable music may be simply stated, but the orchestration is venomous. This track is surely one of the most formidable and succinct realisations of the satanic in music. "SIX SENSE" (1999-James Newton Howard) this composer adopts a potent blend of richly realised Americana to subtly underscore events, never overtly signposting every narrative twist and turn.

Rick Wakeman One of the premier rock keyboardists of the progressive era, Rick Wakeman cut his teeth as a London session musician at the tail-end of the 1960s before earning star status as a member of prog rock superstars Yes in 1971. He left the band in 1973 to concentrate on his burgeoning solo career and within a few years had released a trio of ambitious, classical rock albums that proved highly successful: The Six Wives of Henry VIII, Journey to the Centre of the Earth, and The Myths and Legends of King Arthur and the Knights of the Round Table. Wakeman briefly rejoined Yes in the late '70s, and during the next decade produced the film score for Ken Russell's Lisztomania; he also co-wrote a musical version of George Orwell's 1984 with lyricist Tim Rice. He subsequently recorded a series of acclaimed new age albums, recorded and toured intermittently with Yes, and maintained a prodigious recording and touring schedule, balancing his rock, new age, religious, and solo piano work. In the 21st century, albums like 2000's Preludes to a Century and 2017's Piano Portraits earned Wakeman critical acclaim and even a return to chart success, especially on his prog-heavy 2020 outing The Red Planet.