The Lover of The Grave

The Complete Album Collection, Vol. One brings those musical journeys together in one deluxe box set. All of Dylan’s original studio and live albums are included–42 albums in all. Fourteen of these have been newly remastered for this set, and each is housed in mini-jacket packaging, perfectly replicating each original release. Also included in The Complete Album Collection, Vol. One is Side Tracks, a new two-disc set of songs from non-album singles, compilations and more.

Porter Wagoner - The Bottom Of The Bottle (1968) & Confessions Of A Broken Man (1966) (2013) {Omni Recording OMNI-173}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 458 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1966-68, 2013 RCA Victor / The Omni Recording Corporation | OMNI - 173
Country / Nashville Sound / Country Pop / Traditional Country

Not only does it sport one of the greatest album covers of all time, but 1968’s ‘The Bottom Of The Bottle’ is also one of the very finest of Porter Wagoner’s legendary string of concept LPs. Alcoholic cautionary-tales fashioned from pedal steel, string bass and pure pathos – Porter’s cast of inebriates shuffle from barstool to gutter to grave. ‘Wino’ opens proceedings with surreal back-alley sound-scapes and heart-rending narration, ‘Daddy And The Wine’ charts the downfall of a heart-broken man and ‘One Dime For The Wine’ a rural man’s obliteration in the faceless urban jungle.

Violinist Théotime Langlois de Swarte and lutist Thomas Dunford illuminate aspects of the elusive amalgamation that is the 17th-century English notion of melancholy. The inconsolable 'Mad Lover' of the album title is reimagined as a character from the reign of Charles II. This tale is told through music from the pen of such violin virtuosos as the prodigiously gifted Nicola Matteis. Heightened by the exuberance and abandon common to those musicians transplanted from Italy, the beguiling nuances of this language of yearning and loss continue to echo in the popular music of our time.