It’s been seven strange years since The Veils’ last studio album Total Depravity, and Finn Andrews has a new double LP to show for it. …And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life…
A longstanding leader in contemporary electronic music, composer and multi-instrumentalist Steve Roach draws on the beauty and power of the Earth's landscapes to create lush, meditative soundscapes.
A deep ambient flow of six interconnected soundworld immersions evoking an echo in time, emanating in all directions. The presence of life’s nostalgic imprints casts this sense forward into a future state of longing and etheric reveries just out of reach but coming into form.
Hawkwind's fifth studio album found the band enjoying a rare oasis of stability after the multitudinous personnel shifts of the past five years. Only the recruitment of a second drummer, Alan Powell, disturbed the equanimity of the lineup that created the previous year's Hall of the Mountain Grill, although it would soon be time to change again. By the end of the year, bassist Lemmy had departed, vocalist Robert Calvert had rejoined, and the group's career-long relationship with United Artists would be over. In the meantime, Warrior on the Edge of Time ensured that it was brainstorming business as usual. Decorated with a magnificent sleeve that unfolded into the shape of a shield, Warrior on the Edge of Time delivered some of Hawkwind's best-loved future showstoppers - Simon House's far-reaching "Spiral Galaxy 28948"…
Live recording of two jazz legends Max Roach (drums) and Mal Waldron (piano), at the concert held to celebrate Mal Waldron's 70th birthday. Recorded at the Desingel Arts Centre, Antwerp, Belgium, 20 September 1995. Featuring a comfortable duo between one of the kings of bebop, Max Roach, and master genre-bender Mal Waldron, this two-CD set contains a complete concert in honor of the pianist's 70th birthday. (Actually, there is also a bonus track of a cut recorded before the concert.) The 30 pieces are mostly fully improvised and flow into one another flawlessly.
The third and, for the time being, final Deviants album is also, according to frontman Mick Farren, the record that they should never have made. Writing in his 2001 autobiography, Give the Anarchist a Cigarette, Farren observes that even the album's title encapsulated the group's state of mind – "so creatively tapped out we couldn't even come up with a snappy name for the damned record." He is being harsh…