British Beat was the term adopted to describe the exciting new sounds out of Liverpool and other cities in the wake of The Beatles' explosion onto the world stage in 1963/64. Named after the slang term forever associated with The Beatles, this mammoth 6-CD box set offers around 180 tracks in chronological order from the mid-1960s, many of which are new to CD and some of which are previously unissued. Fab Gear includes many of the era's biggest names such as The Kinks, The Moody Blues, The Searchers and The Tremeloes and other hit acts such as The Marmalade, The Alan Price Set, The Rockin' Berries, David & Jonathan, The Ivy League, Twinkle, Peter Jay & The Jaywalkers, Chad & Jeremy, The Tornados, Arthur Brown, Tony Jackson & The Vibrations, The Undertakers, Billie Davis, The Migil 5, The Truth, The Quiet Five and The Sorrows.
Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. A member of the legendary Rat Pack, he lived and died the high life of booze, broads and bright lights, always projecting a sense of utter detachment and serenity; along with Frank Sinatra, Sammy Davis, Jr. and the other chosen few who breathed the same rarefied air, Martin – highball and cigarette always firmly in hand – embodied the glorious excess of a world long gone, a world without rules or consequences.
Back when the Rolling Stones were proud to be the voice of revolt and Mick Jagger was as far away from his knighthood as Zayn Malik is from a seat in the House of Lords, they were, very occasionally, modest, not to say humble. A couple years after cutting their eponymous first album in 1964, chock full of covers of blues and rhythm and blues songs by black artists including a buzz-toned slice of anthropomorphism about our favourite honey-making insect, Jagger told Rolling Stone magazine: “You could say that we did blues to turn people on, but why they would be turned on by us is unbelievably stupid. I mean what's the point in listening to us doing ‘I’m a King Bee’ when you can hear Slim Harpo do it?”
Released in order to coincide with the kick-off of the band's This House Is Not For Sale Tour in North America, this is Bon Jovi's career-spanning box set, a massive and impressive collectible item. Including all 14 studio albums across 25 vinyl LPs, plus an extra disc exclusive to this release, the box set, also, features Jon Bon Jovi's 2 solo records…
Because Island Records didn't feel it was the right time for a live album, Martyn independently released this record from his home. The initial release was a limited edition of 10,000 (which Island did manufacture, though not distribute or promote) that was numbered and signed. Though the album shares its title with the famous Who live collection of the same name, the working title was "Ringside Seat" and photos of Martyn and bassist Danny Thompson in a boxing ring were even taken for a prospective cover, though never used. Recorded February 13, 1975 (the sleeve incorrectly states October), at Leeds University in the U.K., this is John Martyn at a peak in his career.
Containing all the Blegvad Trio and Quintet studio releases: Downtime, Just Woke Up, Hangman’s Hill and Go Figure – all re-mastered and repackaged - plus two additional CDs of unreleased studio recordings and live performances, mostly featuring songs not available on the studio CDs.