The Mom Test

MOM: Music for Our Mother Ocean is a series of three compilations produced by Surfdog Records to benefit the Surfrider Foundation. The albums feature original songs as well as covers – many sharing a surfing or summer theme – by a range of popular artists.

The Zappa Trust has compiled a massive box set to celebrate the 50th anniversary of the Mothers Of Invention’s 1971 line-ups. Featured are the complete Fillmore East tapes, showcasing every note played over 2 nights in 4 shows during the closing of the famous venue in NYC, including the John Lennon and Yoko Ono encore, unedited with majority of the tracks being newly mixed from scratch by Craig Parker Adams and mastered by John Polito. Also included is the complete concert from the final show at the Rainbow Theatre in London, England where FZ was infamously pushed off the stage, resulting in injuries, the cancellation of the rest of the tour and ultimately the band. This historical Rainbow show is newly mixed by legend Eddie Kramer and mastered by Bernie Grundman. The box also features a bonus hybrid concert from Harrisburg and Scranton, PA 1971; original singles, album ads a 68-page booklet showcasing an interview with Ian Underwood by Ahmet Zappa and liner notes from Eddie Kramer, Jim Pons (FZ’s then bass player) and Vaultmeister Joe Travers.

George Jones - The Complete United Artists Solo Singles (2013) {Omnivore Recordings ‎OVCD-55 rec 1962-1966}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 455 Mb | MP3 @320 -> 190 Mb
Full Artwork @ 300 dpi (png) -> 44 Mb | 5% repair rar
© 1962-66, 2013 United Artists / Omnivore Recordings | OVCD-55
Country / Honky Tonk / Nashville Country / Country Gospel / Country Pop

Unlike Razor & Tie's 1997 double-disc collection She Thinks I Still Care: The George Jones Collection (The United Artists Years), Omnivore's 2013 set The Complete United Artists Solo Singles focuses directly on the 45s George Jones released for United Artists between the years 1962 and 1966 (he was only with the label until 1964 but they churned out singles for another two years after his departure). This is a bigger difference than it may initially seem. The 40-track She Thinks I Still Care sampled generously from Jones' duets with Melba Montgomery, his tributes to Bob Wills and Hank Williams, his bluegrass and gospel LPs, which meant there were several singles absent from its track listing.

From the beginning, Frank Zappa cultivated a role as voice of the freaks - imaginative outsiders who didn't fit comfortably into any group. We're Only in It for the Money is the ultimate expression of that sensibility, a satirical masterpiece that simultaneously skewered the hippies and the straights as prisoners of the same narrow-minded, superficial phoniness. Zappa's barbs were vicious and perceptive, and not just humorously so: his seemingly paranoid vision of authoritarian violence against the counterculture was borne out two years later by the Kent State killings.