The Moody Blues

Hall of Fame is a live album by the progressive rock band The Moody Blues. It was recorded at a concert performed at the Royal Albert Hall, which included backing by a live orchestra. The album was released on 8 August 2000. It is the second Moody Blues live album to feature a live orchestra, with the first being A Night at Red Rocks with the Colorado Symphony Orchestra. This is the last live release to feature Ray Thomas. A decade on, all but "Overture" and "Legend of a Mind" appeared on the budget release Live at the Royal Albert Hall with the World Festival Orchestra released by Sony Music Custom Marketing Group in the United States. Backed by the large string ensemble, the Moody Blues perform a cross section of their hits, both new and old. Included here are such songs as "Tuesday Afternoon," "The Story in Your Eyes," "Nights in White Satin," and more.

The Moody Blues return to the stage for a live show that marks the first time the band has performed without an orchestra since 1969's The Moody Blues Live + 5 and the cameras are there to catch every note live in a historic performance captured live at the Greek Theater in Los Angeles in June of 2005.

With the release of 1967's Days of Future Passed, the Moody Blues left behind their R&B origins and emerged as pioneers of Britain's emerging art rock sound. A richly imagined concept album that fused classical music with rock, Days of Future Passed arrived less than six months after the Beatles' Sgt. Pepper's Lonely Hearts Club Band to an audience already primed to embrace such a progressive work. What's more, it was a hit on both sides of the Atlantic thanks to its dreamy singles "Nights in White Satin" and "Tuesday Afternoon," establishing the Moodies as both a commercially viable and deeply creative unit.

The Moody Blues' resumed work together after a four-year hiatus and delivered Octave in 1978, which quickly became a hit but has also proved to be a very problematic album. Picking up where he left off on Seventh Sojourn, bassist/singer John Lodge generated a hit single (and also a solid album opener) with the surprisingly edgy (for this band) rocker "Steppin' in a Slide Zone." And Justin Hayward's "Had to Fall in Love," "Driftwood," and "The Day We Meet Again" – the latter their best album closer since "Watching and Waiting" – are also up to the standard one would wish for (and a bit of a surprise, coming in the wake of two major solo projects that should have depleted his song bag)…