The Mystery of The Aleph

Toward the end of the 19th century, one of the most brilliant mathematicians in history languished in an asylum. His greatest accomplishment, the result of a series of extraordinary leaps of insight, was his pioneering understanding of the nature of infinity.

When, in 1872, the student Leopold Katz discovered in the attic of the presbytery in the South Bohemian village of Jistebnice an old manuscript of Czech songs, he might not have realised just how enormous its value was. Today, the hymnal, bearing the title "Jistebnický kancionál", is primarily known for containing the Hussite choral anthem Ye Who Are Warriors of God. (The melody has attained worldwide fame due to its inclusion in Smetana's symphonic poems Tábor and Blaník, parts of the cycle My Country.) Yet the most notable aspect of the hand-written hymnbook is that it features songs in Czech for mass and prayer of the Liturgy of the Hours. It would seem that the bold project's aim was to make liturgy accessible to the wide religious community in their own language.

Tomás Luis de Victoria’s OFFICIUM HEBDOMADÆ SANCTÆ is one of the most compelling examples of creative genius in a composer, a toweringly poignant and masterpiece on the Passion of Christ, a pure but infinitely subtle creation, Ad majorem Dei gloriam.