The New Toy

This series helps teachers demystify physics by showing students what it looks like. Field trips to hot-air balloon events, symphony concerts, bicycle shops, and other locales make complex concepts more accessible. Inventive computer graphics illustrate abstract concepts such as time, force, and capacitance, while historical re-enactments of the studies of Newton, Leibniz, Maxwell, and others trace the evolution of theories. The Mechanical Universe helps meet different students' needs, from the basic requirements of liberal arts students to the rigorous demands of science and engineering majors. This series is also valuable for teacher professional development.

This series helps teachers demystify physics by showing students what it looks like. Field trips to hot-air balloon events, symphony concerts, bicycle shops, and other locales make complex concepts more accessible. Inventive computer graphics illustrate abstract concepts such as time, force, and capacitance, while historical re-enactments of the studies of Newton, Leibniz, Maxwell, and others trace the evolution of theories.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching. Criterion is proud to present twenty-six masterworks by Stan Brakhage.

In this magnificently inscrutable late-sixties masterpiece, Marco Ferreri, one of European cinema’s most idiosyncratic auteurs, takes us through the looking glass to one seemingly routine night in the life of an Italian gas mask designer, played, in a tour de force performance, by New Wave icon Michel Piccoli. In his claustrophobic mod home, he pampers his pill-popping wife, seduces his maid, and uncovers a gun that may have once been owned by John Dillinger—and then things get even stranger. A surreal political missive about social malaise, Dillinger Is Dead (Dillinger è morto) finds absurdity in the mundane. It is a singular experience, both illogical and grandly existential.

Horror movie maestro William Castle (The Tingler) followed his role model Alfred Hitchcock into TV with this anthology series of suspense and shudders, though he ceded the hosting chores to Sebastian Cabot (TV’s “Family Affair”) as “Winston Essex” for the first part of the series. A mid-season name change (to “Circle of Fear”) and a no-host format were intended to boost ratings, but this quirky, chilling and fascinating series only lasted one season. All 23 hour-long episodes are included with outstanding guest stars like Jason Robards, Helen Hayes, Melvyn Douglas, Gena Rowlands, Jodie Foster, Angie Dickinson, Geraldine Page, Patricia Neal, Martin Sheen, Stella Stevens, Karen Black, Rip Torn, Carolyn Jones, Mariette Hartley, William Windom and many, many more, this a must-have for lovers of thrillers and classic television alike!

The third in director Sam Raimi's stylish, comic book-like horror trilogy that began with The Evil Dead (1982), this tongue-in-cheek sequel offers equal parts sword-and-sorcery-style action, gore, and comedy. Bruce Campbell returns as the one-armed Ash, now a supermarket employee ("Shop Smart…Shop S-Mart") who is transported by the powers of a mysterious book back in time with his Oldsmobile '88 to the 14th century medieval era. Armed only with a shotgun, his high school chemistry textbook, and a chainsaw that mounts where his missing appendage once resided, the square-jawed, brutally competent Ash quickly establishes himself as a besieged kingdom's best hope against an "army of darkness" currently plaguing the land…..

Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Harriet recognizes, that Eddie is in love with Queenie.