The One That

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Caricatures of Black sexuality saturate American popular culture in bootylicious rap videos and paternity tests on the Jerry Springer show. Blacks have been cast as hypersexual animals in Western culture since a scantily clad "Hottentot Venus" was displayed in a cage in Paris in the 1800s…

This Collection features some of her biggest hits, including "Jolene", "I Will Always Love You", "Here You Come Again" and many more! Includes the albums: "Hello, I'm Dolly" (1967), "My Blue Ridge Mountain Boy" (1969), "Jolene" (1974), "Love Is Like A Butterfly" (1974), "The Bargain Store" (1975), "All I Can Do" (1976), "New Harvest … First Gathering" (1977), "Here You Come Again" (1977), "Heartbreaker" (1978), "9 To 5 And Odd Jobs" (1980).

Hailed as one of the finest films ever made, legendary director François Truffaut’s early masterpiece Jules and Jim charts the relationship between two friends and the object of their mutual obsession over the course of twenty-five years. Jeanne Moreau stars as Catherine, the alluring and willful young woman whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, Jules and Jim was a worldwide smash upon its release in 1962 and remains as audacious and entrancing today.

Apocalypse Now is one of the great films. Photography, score, acting and direction are without flaw. Coppola never scaled such heights subsequently. It seems the sheer effort to produce such a work extinguished much of his creative spark. Stravinsky frightened himself with the awesome force of his Sacre Du Printemps, and changed directions after, never to match this achievement; Richard Strauss fled into Neo-romanticism after writing the disturbing Elektra and Salome, unable to equal their innovation and power. But these seminal works (Le Sacre, Salome, Elektra, Apocalypse Now) remain as peaks of Art. Like the great classics of literature, each viewing of this film reveals deeper levels of meaning. It's stupid to even apply an arbitrary rating to this work. It would be like writing, "Brothers Karamazov gets 5 out of 5." It cannot be rated.